Yes I said a phone designed for light painting. I am pretty sure you can also call people and send text messages but who cares? The camera on this phone was specifically designed with long exposure photography in mind, and that is pretty awesome! Photographer and all around creative genius Ben Von Wong is onboard producing the video below to give us a glimpse of what the Huawei P8 can do…
Light Painting Photography Contest April 2015
The theme for the light painting photography contest starting March 1, 2015 is Kinetic Light Painting otherwise known as “Camera Painting” this means that the camera moves and the lights in your scene stay stationary. Great examples of this are Camera Rotations like the images below, now you don’t have to rotate your camera you can use light from the moon and create a moonlight drawing, the key is the camera moves to create the design.
To Submit your Image:
Get your single best entry in to contest [at] lightpaintingphotography.com by April. 21, 2015 for a chance to win a featured post on the LPP website and a light painting prize pack from our super awesome sponsors listed below! Please remember to follow the THEME of the contest, include your name in the title of your submission, and resize your image to 1200 pixels on the longest side and 72 dpi. If you do not follow the theme of the contest your image will not be accepted, and as always no F#@&*! photoshop.
Here are two fine examples:
Camera Rotation by Chris Thompson

Moonlight Drawing by Jason D. Page

The light painting photography contest series is sponsored by the best damn companies on earth COAST Flashlights, Neon Flexible, LED Flexible,and Light Painting Brushes ! Please support these awesome companies that support our light painting art from, without them this contest series would not be possible!


Light Paint Live Mercury Version 2.0
The best live light painting software on the market just got an upgrade! Light Painting Artist Joerg Miedza and all around genius Josh Beckwith have been hard at work developing the Light Paint Live software for version 2.0 and I must say they have done a hell of a job creating an easy to use and versatile real time light painting tool!
Light Paint Live is a great software for seeing in realtime what you are creating while light painting and personally I think it has huge possibilities in the world of the Live Light Painting Performance! There are a few versions of the Light Paint Live software including the new and improved Mercury 2.0 which runs on google chrome that you can use to create and record full 1080P live light painting videos via a webcam or DSLR (with a plugin)! There are also 3 versions of an free open source Light Paint Live for developers!
Check out the images (by Joerg Miedza) and video (by Josh Beckwith) below to get a feel for what the new and improved software can do. After that head over to Light Paint Live to find out more and get the software right now for only $4.99!
Light Painting Break Down: Tim Gamble for “Stroma”
From time to time we come across a light painting and just stare it wondering how the F@#! did they do that?!?! Break Down is a series if which I only ask the artist one question “How the F@#! did you make this” its up to the artist to tell as little or as much as they want. For this Light Painting Breakdown Tim Gamble talks us through how he created the above image titled “Stroma”
So Tim how the F@#! did you make this?
GEAR USED:
Canon 650D
Tamron 17-50 f2.8
Yongnuo 565 ex + snoot
Samsung Tab 2
Tripod
Light stand with clamp for tablet
Yongnuo radio triggers for flash.
Patience 🙂
Settings
F-stop 14
Iso 100
63 seconds
Manual white balance
Firstly I took an image of a synapse and mirrored it for symmetry using a drawing app on the tablet. Next I used the same app to draw a head shaped space in black where I wanted my head to expose in the shot.

Set up the camera at head height and worked on the flash aspect of the shot. Ensuring my head was in the right place, focus was good and no light was spilling onto the wall behind me. I snooted the flash for this to concentrate the light from the flash onto my face. I used my radio triggers to fire the flash as this was the second part of the double exposure and therefore I wanted to choose when it went off. I also used my torch to illuminate under my chin to eradicate any shadows. Once happy I placed a marker on the floor and noted focus and focal length before moving onto the tablet.

I clamped my tablet to the light stand and used image 1 from before. Framed and focused and worked on the exposure time for this part. 1.5 seconds was enough to burn this part in. Once happy with everything I was ready to go.

Lights off and shutter fired. Counted to 1.5 seconds and put the lens cap on. Moved the tablet out of sight, reframed and focused for my head. Lens cap off and took up my position on my marker. Torch in one hand and radio trigger in the other I fired both at the same time ensuring I kept my head still.
The process took about 2.5 hours from start to finish.
The SpiroJib a Light Painting Mechanical Masterpiece by John Griffin
You probably know about Andrew Whyte’s DOME tool created out of a bike tire, if you don’t click HERE. Andrew’s dome tool is a clever way to use a bike wheel as a light painting tool, but that leaves the question WHAT ABOUT THE REST OF THE BIKE!?! A few weeks back Light Painter John Griffin shared a new light painting contraption with me that he had been working on, after picking myself up off the floor I found out John is calling his contraption the SpiroJib and it is F@!$ing amazing. I think its a tool the community is gonna be pretty excited about, I can see it even starting a mini Light Painting Evolution for the DIY light painters out there.
Inspired by this months Light Painting Photography contest themed Kinetic Light Painting, John set out to build a camera rig that would take camera rotation to a whole new level. Quickly the camera rig morphed into building the world’s first standing Light Painting Spirograph called the SpiroJib! The SpiroJib is a mechanical masterpiece made from the various pieces parts of a bike. The way it works is you chop a bike frame, weld a couple of sprockets, attach a “Light Bar”, throw in some ball bearings, run a chain around all of that, attach it on top of a light stand and power this beauty by hand cranking magic Light Painted Spirographs vertically in mid air!
Below are some samples of the same light illuminated while cranked around on the different sprockets.
I don’t think I need to tell you the endless possibilities that the SpiroJib brings to the Light Painting game, now whip the drool off of your keyboard and prepare yourself to get to work. The build of the SpiroJib is fairly complex and it will take some special tools and skill to build one but the good news is that John has created a detailed PDF available here, and he also made a detailed video walkthrough of the build itself (see below).
The giving spirit of the Light Painting Community never ceases to amaze me. John put a ton of work into creating the SpiroJib, the detailed PDF build guide and the Video. He did all of this work and he is giving it to all of us for nothing. I think I speak for the entire Light Painting Community when I say THANK YOU JOHN!
If you would like to see more of Johns work, ask him a few questions, or just say thanks check out his Facebook page HERE.
P.S. What is it with bikes and light painting tools?!?
Light Painting Photographer Vicki DaSilva #WithSyria
We all know people in the world can be horrible and there are countless atrocities happening right now as you read this article. When these topics arise the same question seems to come up, do we just hear about bad things more because we are all so connected now or is the world really worse than it was before? I don’t think the answer to that question matters. I think what matters is that if you know something is wrong and you have the ability, you should do something about it. Thankfully there are still some good people in this world, and Light Painting Artist Vicki DaSilva is one of them.
Light Painting is magic. It is an artform that gets people talking, if you have ever created a live light painting you know how quickly people start talking. No other Light Painter I know of has used our art form to share a political message better than Vicki DaSilva. For Vicki’s most recent and probably most important work to date, she teamed up with the Global Humanitarian Organization OxFam for the #WITHSYRIA campaign, urging World Leaders to Turn The Lights Back On For Syria! Vicki so strongly believes in this cause she declined the commission for her work on this project and donated all her images for the campaign.
Vicki said this about the With Syria project “Activist art contributes and communicates messages that powerfully transcends borders, governments, nationalities, age, gender and religions. Light graffiti and light painting allows for the exceptional element of access to location and photography documents the actions. As a global collective we have the extraordinary opportunity for global activism through a coordinated, orchestrated light graffiti smart mob or simply as individuals. Collectively or single handedly we have the ability to speak to any issue through our words or images drawn with light, in any language, anywhere in the world and inspire others to do the same. Turn the lights on to share important messages!”
Some facts, since war took hold of Syria in 2011:
83% of the lights have been turned off in the Country.
97% of the lights are off in Aleppo.
35% of the lights are off in Damascus.
At Least 200,000 people have been killed.
10 million people have fled their homes.
3 Million children are no longer in school.
We take our comfortable lives for granted. Can you imagine having everything you have, and the ones you love taken away from you tomorrow. Can you imagine having to literally run for your life with only what you could carry while your home town and every memory you made there was destroyed. For many of the people in Syria this is the reality, many of them are starving and dying from lack of basic needs. The people of Syria are just like you and me. They only want peace and security, they only want to be happy, healthy, and free.
As Light Painters we have a unique ability to bring awareness to things that matter with the magic that is Light Painting. This is only one of many humanitarian crisis that are happening right now.
We are calling on light painters around the world to use your unique abilities to help bring awareness to a crisis, help get the word out by creating a light painting including the phrase #WITHSYRIA. Tag them on Instagram, on Facebook and on Flickr. Vicki has got us started lets show our support for her and for the Syrian People.
Light Painting Tutorial, Electric Orb

I made a new tutorial on how to create an “Electric Orb” using some of the Light Painting Brushes. Apologies for the bad audio… but Enjoy.
Light Painting Tutorial
Light Painting Photographer Jason D. Page shows you how to create an “Electric Orb” using some tools from Light Painting Brushes. This Orb was inspired by Light Painter Darren Hopkins
https://www.facebook.com/darren.hopkins.121
The Light Painting Brushes was developed by Jason D. Page to create a Universal, Simple, and Affordable System of Light Painting Tools for everyone. In this Light Painting Tutorial the Light Painting Brushes used to create this image are:
The Universal Connector
Coast G26
Plexiglass Rectangle Light Painting Brush
22″ Sword Light Painting Brush (Pink)
22″ Sword Light Painting Brush (Purple)
http://lightpaintingbrushes.com
P.S. SORRY FOR THE POOR AUDIO.
Light Painting by Potato Power
Light Painting Photographer Joerg Miedza was helping his daughter with her science homework recently, when inspiration struck. Young Miedza was asking her dad about energy and how it worked. Thankfully Joerg remember a little experiment that he did when he was back in school. He thought that it would be a great way to teach his daughter a little more about energy. Joerg grabbed a few potatoes and headed to the garage, shorty after he invited his daughter to come see the Potato Power LED Light he had created. Using some nails, a few pieces of copper wire, and five 1 cent coins, Joerg connected 5 potatoes in a series. The series of potatoes created about 3 Volts of electricity, just enough to illuminate a single LED for some light painting fun. Check out the images below.
Here is a little video tutorial on how to create your own Potato Power.
Light Painting Contest Winner, February 2015
And the winner for the February 2015 Light Painting Contest Themed “Light Writing” is… Frédéric Leroux for this wonderful image titled “9 Languages of Light”.
Frederic created the winning image in an abandoned airplane hanger in the northern region of his home Country of France. The image is a 323 second exposure, shot at F11 and each of the writings says “Light” in 9 different languages! The actual light writing was created by hand with a simple garage lamp with some colored gel attached to the light.
To check out more of Frederic’s Light Writing work please visit:
https://www.flickr.com/photos/frederic_leroux/
https://www.facebook.com/pages/FLX-Photography-and-LightArt/498248720290466
A special thank you to this months final selection judges Vicki DaSilva and Dennis Calvert.
For the winning image Frederic will receive a LPP prize pack filled with treasures from our sponsors below.
Click here to see the current contest theme and find out how to enter to win your LPP prize pack!
Light Painting Guinness World Record, 200 Orbs
On July 19th 2014, twelve light painters ventured into the Virginia countryside to attempt a World Record. The group collectively called “East Coast Light Painters” consisted of light painting artists from all over the United States. Aaron Bauer, Christopher Renfro, CJ Yunger, Dennis Calvert, Jason D. Page, Jason L. Rinehart, Jeremy Jackson, Johnny A. Andrews, Johnny Dickerson, Laura DelPrato, Mike Newcomer, and Ryan O’Connell all collaborated to achieve the first Light Painting Guinness World Record! The resulting image represents the true spirit of the light painting artform in uniting people from diverse backgrounds for a creative collaboration.
That’s the short story, read on for the details.
The first and most important part of this story is that it was a group effort. Setting this record was a massive amount of work, without all of us working together this most certainly would not have happened. January 6th 2014 Light Painter Jason Rinehart (inspired by Andrew Wells “Century Of Light Orbs” Project) put up a post on Facebook asking “Anyone local be interested in calibrating a World Record?” Little did Jason know that post set into motion a series of events that would lead to 12 Light Painting Photographers from all over the United States meeting in a farmers field in the small town of Floyd, Virginia exactly 6 months and 13 days later to set the First Official Light Painting WORLD Record creating 200 Light Orbs is a Single Photograph!
The first thing we had to do was pick a date, after some debate July 19th, 2014 was the agreed upon date that the attempt would take place giving everyone plenty of time to schedule flights, get time off from work, and schedule time away from other obligations.
Next of the agenda was finding a location. Securing a location that is open, dark, and level enough to create 200 Orbs in a single exposure is not easy. The location also had to allow for a bunch of Light Junkies camping and spinning lights all night long. Many of us were located on the East Coast of the United Stated so Jason Rinehart, Jeremy Jackson and Aaron Bauer searched and searched and found a few suitable places but they all fell through for one reason or another. Jeremy Jackson had a friend with a piece of land near his home in Floyd, VA it was a pretty central location for everyone involved so it was finally secured, however the owner understandably didn’t want the event turning into a Light Painting Woodstock so a limit of 12 people was established.

The Orb Makers:
Jeremy Jackson, Christopher Renfro, Jason L. Rinehart and Aaron Bauer worked on building the “Orb Making Devices” that would be used to create the Light Orbs. Many designs were discussed everything from the traditional taped up LED light string to some super complicated mechanical devices. Jeremy and Chris came up with a genius design, The final Orb Maker was a series of metal and PVC pipes with a LED light string on the inside connected to speaker wire on one end, a counter weight on the other end and a old car window crank handle to make the spinning easy with an on/off switch in just the right spot! Hours and hours went into creating 12 Orb Makers and many thanks go out to Jeremy Jackson!
Most of us arrived a day early on July, 18th to get everything prepared and to get acquainted. The first day the weather SUCKED it was a dreary day with constant drizzling rain; despite the weather a lot of prep work happened on July 18th. We tested and made final adjustments on the Orb Making Devices, the base camp was set up and the location in the field was selected. That night we gathered together around a fire to come up with a final strategy to accomplish the goal of breaking the World Record!


During the daylight hours of July 19th, 2014 thankfully the weather was better with clearer skies. Much preparation was left to do, we marked off the lowest section of flat land in the field in a rectangle shape 80’ wide by 160’ long. We posted a small yellow flag every 8 feet to mark the center location of the orbs that we would create, the record breaking image was set to be 10 Light Orbs wide by 20 Light Orbs long making a total of 200 Light Orbs in a Single Photograph.
The diameter of each of the Light Orbs was approximately 7 feet wide, we allowed for a 1 foot space in between so that the Light Orbs would be easily distinguishable from one another in the final image. The grass in the field was really high so Jeremy and Jason used weedeaters to mow the field around EACH of the 200 flags in a circular pattern to allow the Orb Making Devices to spin freely.


Other than the grass and the weather, another challenge was to find an angle high enough that would allow for all of the Light Orbs to be seen by the camera, to accomplish this there were a few different strategies. Jason Rinehart used a ladder and climbed high into a tree to find his angle.

Myself (Jason D. Page), Aaron Bauer, and Jeremy Jackson climbed to the tops of our trucks and extended our tripods as high as they would go so that they would be able to get an angle that would allow the camera to see all of the Light Orbs created. Everyone else moved around the field to find the angles they thought would look best.

As the sun started to go down and the light faded we took test shots to see how long the exposures could run with the amount of ambient light that was in the area. It was a very dark and desolate location, there was no moonlight and very little light pollution so the exposures could go for 30 minutes or more if needed without being over exposed. While some of us took test exposures others worked with their Orb Making Devices to make sure everything was working properly and they had the feel of how to make an orb with this new tool that many had never used before.
Just after the last bits of sunlight faded everyone was in place to break the record all lights were turned off and everyone’s camera shutters were opened. Dressed all in black the first victim, Aaron Bauer, walked into the scene, stood on the first marked location, illuminated his Orb Making Device and created the first Light Orb by standing on the marked location, spinning the hand crank in a circular motion, while rotating his body 360 degrees to create the Light Orb. After the first orb was created Aaron then moved to the next marked location a row ahead as another light painter came in and repeated the same process on the marked location one row across. We created the Light Orbs in staggered positions so that we would not block each others light from the camera’s view.

Once all of the Light Orbs were created the shutters of the camera’s were closed and the 200 Light Orbs were captured in a single photograph. We decided to create the image a second time, this time using handheld flashlights to illuminate the scene and some of the trees in the background. During both exposures we successfully created 200 Light Orbs in a Single Exposure! Each light painter had slightly different settings on their shots but the “Official” image for the Guinness World record was a 1651 second exposure, at F8, and ISO100.


We decided to break this world record because we are all extremely passionate about the light painting art form. The hope of this project is that by having a record in the Guinness Book of World Records we will gain more exposure and introduce more people to the light painting art form. It was also a great reason for all of us to meet for the first time in person and work together collaborating on a project to progress Light Painting. Besides that it was F@#$!*% FUN.

A HUGE THANK YOU to our Guinness World Record Witnesses Jon Beard and Nicole Pradas!
For More Check out 200ORBS.com

























































