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You are here: Home / Archives for Jason D. Page

Light Painting Guinness World Record, 200 Orbs

February 27, 2015 by Jason D. Page

Light-Painting-Guinness-World-Record-200-ORBS-Aaron-Bauer

On July 19th 2014, twelve light painters ventured into the Virginia countryside to attempt a World Record. The group collectively called “East Coast Light Painters” consisted of light painting artists from all over the United States. Aaron Bauer, Christopher Renfro, CJ Yunger, Dennis Calvert, Jason D. Page, Jason L. Rinehart, Jeremy Jackson, Johnny A. Andrews, Johnny Dickerson, Laura DelPrato, Mike Newcomer, and Ryan O’Connell all collaborated to achieve the first Light Painting Guinness World Record! The resulting image represents the true spirit of the light painting artform in uniting people from diverse backgrounds for a creative collaboration.

That’s the short story, read on for the details.

The first and most important part of this story is that it was a group effort. Setting this record was a massive amount of work, without all of us working together this most certainly would not have happened. January 6th 2014 Light Painter Jason Rinehart (inspired by Andrew Wells “Century Of Light Orbs” Project) put up a post on Facebook asking “Anyone local be interested in calibrating a World Record?” Little did Jason know that post set into motion a series of events that would lead to 12 Light Painting Photographers from all over the United States meeting in a farmers field in the small town of Floyd, Virginia exactly 6 months and 13 days later to set the First Official Light Painting WORLD Record creating 200 Light Orbs is a Single Photograph!

The first thing we had to do was pick a date, after some debate July 19th, 2014 was the agreed upon date that the attempt would take place giving everyone plenty of time to schedule flights, get time off from work, and schedule time away from other obligations.

Next of the agenda was finding a location. Securing a location that is open, dark, and level enough to create 200 Orbs in a single exposure is not easy. The location also had to allow for a bunch of Light Junkies camping and spinning lights all night long. Many of us were located on the East Coast of the United Stated so Jason Rinehart, Jeremy Jackson and Aaron Bauer searched and searched and found a few suitable places but they all fell through for one reason or another. Jeremy Jackson had a friend with a piece of land near his home in Floyd, VA it was a pretty central location for everyone involved so it was finally secured, however the owner understandably didn’t want the event turning into a Light Painting Woodstock so a limit of 12 people was established.
Field

The Orb Makers:
Jeremy Jackson, Christopher Renfro, Jason L. Rinehart and Aaron Bauer worked on building the “Orb Making Devices” that would be used to create the Light Orbs. Many designs were discussed everything from the traditional taped up LED light string to some super complicated mechanical devices. Jeremy and Chris came up with a genius design, The final Orb Maker was a series of metal and PVC pipes with a LED light string on the inside connected to speaker wire on one end, a counter weight on the other end and a old car window crank handle to make the spinning easy with an on/off switch in just the right spot! Hours and hours went into creating 12 Orb Makers and many thanks go out to Jeremy Jackson!


Most of us arrived a day early on July, 18th to get everything prepared and to get acquainted. The first day the weather SUCKED it was a dreary day with constant drizzling rain; despite the weather a lot of prep work happened on July 18th. We tested and made final adjustments on the Orb Making Devices, the base camp was set up and the location in the field was selected. That night we gathered together around a fire to come up with a final strategy to accomplish the goal of breaking the World Record!
Campfie
Light Painting Guinness World Record Fire Rotation

During the daylight hours of July 19th, 2014 thankfully the weather was better with clearer skies. Much preparation was left to do, we marked off the lowest section of flat land in the field in a rectangle shape 80’ wide by 160’ long. We posted a small yellow flag every 8 feet to mark the center location of the orbs that we would create, the record breaking image was set to be 10 Light Orbs wide by 20 Light Orbs long making a total of 200 Light Orbs in a Single Photograph.


The diameter of each of the Light Orbs was approximately 7 feet wide, we allowed for a 1 foot space in between so that the Light Orbs would be easily distinguishable from one another in the final image. The grass in the field was really high so Jeremy and Jason used weedeaters to mow the field around EACH of the 200 flags in a circular pattern to allow the Orb Making Devices to spin freely.
Field Prep
DCIM100GOPRO

Other than the grass and the weather, another challenge was to find an angle high enough that would allow for all of the Light Orbs to be seen by the camera, to accomplish this there were a few different strategies. Jason Rinehart used a ladder and climbed high into a tree to find his angle.
Tripod in Tree
Myself (Jason D. Page), Aaron Bauer, and Jeremy Jackson climbed to the tops of our trucks and extended our tripods as high as they would go so that they would be able to get an angle that would allow the camera to see all of the Light Orbs created. Everyone else moved around the field to find the angles they thought would look best.
Field Panorama

As the sun started to go down and the light faded we took test shots to see how long the exposures could run with the amount of ambient light that was in the area. It was a very dark and desolate location, there was no moonlight and very little light pollution so the exposures could go for 30 minutes or more if needed without being over exposed. While some of us took test exposures others worked with their Orb Making Devices to make sure everything was working properly and they had the feel of how to make an orb with this new tool that many had never used before.


Just after the last bits of sunlight faded everyone was in place to break the record all lights were turned off and everyone’s camera shutters were opened. Dressed all in black the first victim, Aaron Bauer, walked into the scene, stood on the first marked location, illuminated his Orb Making Device and created the first Light Orb by standing on the marked location, spinning the hand crank in a circular motion, while rotating his body 360 degrees to create the Light Orb. After the first orb was created Aaron then moved to the next marked location a row ahead as another light painter came in and repeated the same process on the marked location one row across. We created the Light Orbs in staggered positions so that we would not block each others light from the camera’s view.
Light Painting World Record BTS by Jon Beard 3

Once all of the Light Orbs were created the shutters of the camera’s were closed and the 200 Light Orbs were captured in a single photograph. We decided to create the image a second time, this time using handheld flashlights to illuminate the scene and some of the trees in the background. During both exposures we successfully created 200 Light Orbs in a Single Exposure! Each light painter had slightly different settings on their shots but the “Official” image for the Guinness World record was a 1651 second exposure, at F8, and ISO100.
Light Painting World Record Jason D. Page 200 Orbs
Light-Painting-World-Record-Jason-L.-Rinehart

We decided to break this world record because we are all extremely passionate about the light painting art form. The hope of this project is that by having a record in the Guinness Book of World Records we will gain more exposure and introduce more people to the light painting art form. It was also a great reason for all of us to meet for the first time in person and work together collaborating on a project to progress Light Painting. Besides that it was F@#$!*% FUN.
Group Shot 2

A HUGE THANK YOU to our Guinness World Record Witnesses Jon Beard and Nicole Pradas!
For More Check out 200ORBS.com

Filed Under: Light Painting Photography, Light Painting Video

February 2015 Light Painting Photography Contest

February 23, 2015 by Jason D. Page

Here are the entries for the February 2015 “Light Writing” light painting photography contest. Everyone PLEASE VOTE in the comments section of this page to pick your top 3 images, the images all have a number in the title (EXAMPLE… IF ONE OF YOUR FAVORITES IS THE IMAGE TITLED “Light Painting Contest 02 February 2015″ THEN YOU SHOULD PUT THE NUMBER 2 AS ONE OF YOUR CHOICES). Please remember that the theme of this contest was Light Writing meaning the image should include some form of TEXT written in light. Voters that do not include 3 unique choices in their post will not be counted. In other words no 1,1,1, or 5,5,5, or 7,7,7,…..Please pick your three favorite IMAGES based on the image alone.





The light painting photography contest series is sponsored by the best damn companies on earth COAST Flashlights, Neon Flexible, LED Flexible,and Light Painting Brushes ! Please support these awesome companies that support our light painting art from, without them this contest series would not be possible!
Light-Painting-Brushes-Banner


Light-Painting-Contest-00-February-2015

Filed Under: Light Painting Contest, Light Painting Photography

Drown In Me with Light Painting Artist Janne Parviainen

February 14, 2015 by Jason D. Page

Light-Painting-Drown-In-Me-Janne-Parviainen

Want to now what went into making this incredible light painting by Janne Parviainen watch below…

Drown In Me from Janne Parviainen on Vimeo.

Filed Under: Light Painting Photography, Light Painting Video

Light Painting Break Down: Mart Barras

February 8, 2015 by Jason D. Page

From time to time we come across a light painting and just stare it wondering how the F@#! did they do that?!?! For my own sanity and to hopefully enlighten some of rest of the light painting community I am starting a new series on the LPP website called Break Down. Basically if you put out some crazy, confusing, mind boggling, or just plain different work that the rest of us can’t figure out I am going to harass you to share some of your secrets. Now relax, I am not going to ask for a step by step so we can all rip you off. I am asking for just a piece of inside knowledge maybe a little hint as to how you’re creating your compelling work! I will only ask the artist one question “How the F@#! did you make this” its up to the artist to tell as little or as much as they want.

For the first one in the Break Down series we are prying open the mind of Light Painting Photographer Mart Barras for this WTF image:
Light-Painting-Mart-Barras

Mart how the F@#! did you make this?

Here is the Break Down:
GEAR USED

Camera: Nikon D7100
Lens: 18-35mm
iPad with Stand
Custom Camera Rotation Tool
Magic

Settings:
F-Stop: F16
ISO: 100
Exposure Time: 93 seconds

IPAD as the Light Source.
Basically it like using stencils but doing it from an iPad.

Capping The Lens
You expose one at a time, each image to the lens (capping the lens between images).

Masking and Camera Rotation
It does require some masking, and a lot of lining up to get parts of the image to sit right or even behind what you want in front so I used a mask cut out using black tape roughly the same size as the fire atom at the front and placed it over the image of a few laser beams and rotated the shot twice (180 degrees).

Finally a Zoom Pull
I then exposured a shot of a PCB and and a star field that I zoomed pulled, then an image of some smoke then finally exposed the image of the fire atom and done, though it did take lots of goes to get the alignment right and the exposure too.

Check out a few of the set up shots Mart shared of a recent shoot he did using similar techniques to create another WOW image seen below and for even more beautiful masterpieces check out Marts Flick Profile HERE:



Light Painting Mart Barras 2

Filed Under: Break Down, Light Painting Photography

Nocturnal Designs Documentary

January 27, 2015 by Jason D. Page

Light-Painting-Artist-Jordan-Kjome
Here is a nice short about Light Painting Photographer and December Light Painting Contest Winner Jordan Kjome, a.k.a. Nocturnal Designs.

Filed Under: Light Painting Photography, Light Painting Video

“I Light You” by KechLight

January 15, 2015 by Jason D. Page

Light Painting Kechlight Follow The Light


“I Light You” is a beautiful time-lapse video showing the creation process of the magnificent light painting work of “KechLight” a collaboration between light painting artist Zakaria Kacha, Cisco Light Painting, and Will Light. “I Light This” is just the tip of the iceberg in terms of the incredible light painting work KechLight is producing. It is obvious that that these two together are genius, they are really pushing some boundaries not only with this work but also with LIVE light painting performance! Check out the video below, but for even more inspiration you should really check out their website http://studio-lightpainting.com

Filed Under: Light Painting Photography, Light Painting Video

Nike MAGs and Light Painting

January 13, 2015 by Jason D. Page

Nike-Mags-Light-Painting-Photography-1

Nike-Mags-Light-Painting-Photography-2

What better way to announce the launch of Back to the Future Nike Air MAGs than with a little light painting. I have no idea who shot these images or if they are even real light paintings (could be some computer trickery) but they are made to look like light painting. I think its pretty cool seeing more and more big corporate names discover the magic light painting can bring to a advertising campaign! If anybody knows who created these images please feel free to share in the comments. Thanks.

Filed Under: Light Painting Photography

Light Painting Contest Winner, Dec 2014

January 3, 2015 by Jason D. Page

December 2014 Light Painting Contest 14

And the winner is… Jordan Kjome for this fiery masterpiece titled “Forging the Stars”. This image was one hell of a long exposure at a whopping 1,836 seconds!

Thank you to this months judge’s Denis Smith and Jelle Schuurman.
Denis said “There were some stunning light painting images entered into the Orb competition this month. Light painting has progressed so far since I first Created the Ball of Light. It fills me with joy. The three finalists were beautiful. To me a great photograph is one that creates an emotional reaction inside me. Striving for technical perfection is secondary. Focusing on the art, rather than the pixels, allows us to become free to go hard and create magic. And in all of the images entered I see that, and feel it.

In the three final images we have three very different styles of image. All are beautiful but for me number 14 stands out. I keep going back to have another look. Firstly because it fills me with a feeling of wonder and awe, then I need to figure out how? Congratulations, this is a truly stunning light painting image!”

Here is some more about the image from Jordan:
“Forging the Stars” is one of my favorite light paintings, and certainly one of my most exhausting and longest exposed photographs. It is a 1,836 second (over 30 minutes), single exposure photograph with no post processing. The structure is a brick kiln in Decorah, Iowa called “Schulze Brick Kiln”. There were unique challenges to this shot that required some problem solving before I could begin light painting. About fifty feet to the rear right of the shot is a tungsten street light mounted to a building. This meant that I could only do very short exposures before the photograph would over expose. I did not have access to turning this light off, so my only option was to eclipse the light. I used a thirty foot long, extendable fiberglass pole with a plastic trashcan lid taped to the end to eclipse the light. Three heavy weights, along with steel cables, allowed me to triangulate the pole so that it would not sway in the wind and come into contact with the power lines. Needless to say it worked, but I won’t risk the dangers again next time.

The faux fire effect was light painted using a single LED and red translucent plastic. The “star” at the center of the photograph was light painted with my tool tied to a string, and that string was tied to the top of a homemade stand, similar to a microphone stand. The string enabled me to create a perfect sphere, and about twenty minutes of the exposure was spent filling in the sphere with light. The trick for a realistic fire effect lies in the wrist. Be as random in movement as possible, and move at an absolute snail’s pace. This is where your spatial memory comes into play. It is very easy to miss a spot when you are filling in a sphere that has twenty square feet of surface area, and you are moving one millimeter at a time for twenty minutes. Fortunately, the spots that I missed worked to my advantage as sunspots.

The four portal doors were light painted using the same light tool, only disconnected from the string and stand. Again, I moved at a snail’s pace while I covered every millimeter of the face of the doors, and then I added quick wisps of light to make it appear as though the fire is blowing out those doors.

Thirty minutes of moving your arm/wrist as quick and random as you possibly can will result in muscle fatigue- especially when you do take, after take, after take. Physically turning the car’s ignition key to head home was a funny challenge in itself.”

We are glad Jordan didn’t cause any blackouts and was able to get home safe and sound to upload
his winning image! To see more from Mr. Kjome check out his website www.NocturnalDesignArt.com and his Facebook page Nocturnal Designs!

For the winning image Jordan will receive a LPP prize pack filled with treasures from our sponsors below. 

Light-Painting-Brushes-Banner

Click here to see the current contest theme and find out how to enter to win your LPP prize pack!

Filed Under: Light Painting Contest Winner, Light Painting Photography

LPWA Video Report from Oviedo 2014 Light Art Congress and Exhibition

December 30, 2014 by Jason D. Page

LPWA-Closing-Report
Here is the official LPWA Video Report from Oviedo 2014 Light Art Congress and Exhibition. As you will see from the video it was an incredible event with light painters from around the world, light painting exhibitions, workshops, and many talented speakers! Light Line Master Darren Pearson may have said it best “This is the greatest meet up of light painters in my entire life.” Check out the video below and for even more info click the link for the LPWA closing report.

Filed Under: Light Painting Photography, Light Painting Video

Jelle Schuurmans “I Am Different”

December 28, 2014 by Jason D. Page

Jelle-Schuurmans

Check out this cool profile video on last months contest winner and Light Painter Jelle Schuurmans created by Zoom.NL for Nikon. Click on the CC on the bottom of the video for the English subtitles after you press PLAY.

Filed Under: Light Painting Photography, Light Painting Video

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