Welcome light painting artist Chanette Manso to LightPaintingPhotography.com! Chanette is an accomplished light painter who has been capturing her images since 1991. She has performed light painting photography at one of the biggest photography museums in Paris, she has been sponsored by Kodak, and Chanette has had four of her light paintings selected to be a part of Burning Man’s permanent art collection! Check out Chanette’s photos, bio, and interview HERE.
Andrew Wells Captures 100 Orbs in a Single Exposure
Andrew Wells has gone orb crazy… Recently he broke the world record for the number of orbs captured in a single exposure. This record shattering light painting photograph of 100 orbs, yes I said 100, took weeks of waiting for the right conditions, over four hours to set up, and 34 minutes to physically spin the 100 orbs! After Andy rested his arm I got the chance to catch up with him and ask a few questions about his “Century of Light Orbs” project.
LPP ∇ Insane work on the Century of Light Orbs project. 100 ORBS in a single shot….. What inspired you to do such a thing?
AW ∇ Don’t really know how this one came about. We were out one night messing around and came up with a random shot of 21 orbs and we thought if we could somehow organize them it would look really cool. we pulled off 25 in organized rows and we thought “well its only four times that, how hard can it be!” one thing led to another and here we have it…….
LPP ∇ Take us thru it how long did it take to get this shot set up? How did you get them lined up so perfect?
AW ∇ The key to this shot was finding the right location. We needed an elevated position in order to see the perspective of the orbs in the grid but the ground needed to be well groomed for planning out purposes. Once we found the location (Whirlowbrook Hall in Sheffield) we then had to wait for the right weather conditions. We needed a clear, cloudless night in order to minimize light pollution from street lamps reflecting off the clouds and no moon. As we were planning what we calculated would be a 35-40 minute exposure we needed to keep light to an absolute minimum. This then obviously caused issues when it came to seeing what we were doing in terms of laying out the grid. This was done painstakingly with lasers, lights, tiny sticks to mark the location of where the orbs would be and a lot of trial and error, endless adjustments and most of all patience! This process probably took about an hour and a half to two hours! (we wanted it to be as perfect as possible!)
LPP ∇ Who helped you with the shoot?
AW ∇ This was obviously not a one man job and this project, along with many others, could not have been achieved without the help of my brother, Michael (Thanks buddy!)
LPP ∇ Did you spin all of the orbs yourself?
AW ∇ Once the shot was set up and we were ready to go I fired the shutter and we took half the grid each and started spinning….34 minutes later we found ourselves running back to the camera like a pair of kids to see what it looked like. I’d seen it in my minds eye many times (and even mocked one up on photoshop) but the truth was about to be revealed! The concentration needed to spin quality orbs constantly for 34 minutes while making sure you hit the mark on every one was almost too much.
LPP ∇ What was your light set up for the shot? Was it a custom light rig or just a strand of LED’s?
AW ∇ We use a custom light rig to spin our orbs which has been developed over time with many tweaks and adjustments along the way. It’s constructed using carbon fibre parts from a fishing rod with all the wiring running through the rig with the battery and switch built in to the handle. This operates with a SINGLE interchangeable led on each end which gives very crisp lines but the down side can be it can take a long time to spin a very full orb.
LPP ∇ Did you get it on the first take?
AW ∇ Did we get it on the first shot, well actually, no! I can see the funny side now but at the time I was mortified when I realized that I (much to the relief of Michael) has missed two from the back of the grid! What did we do? we just got straight back out there and did it all over again, with all that time spent setting up, I wasn’t going anywhere until we had the shot in the bag. The second time we nailed it!
LPP ∇ Any close calls with someone screwing up the shot?
AW ∇ The location was very quiet and out of the way so luckily we weren’t disturbed for the entire duration of the setting up and execution of the shot. It was a good job as right behind the camera is Whirlow Brook Hall, a small mansion house used for weddings etc and they had two very bright emergency lights out on the patio which we had to disable for the duration but were obviously very careful to ensure they were put back in full working order before we left!
LPP ∇ Did you or are you going to submit the shot to the guinness book of world records?
AW ∇ Quite a few people have mentioned the guinness book of records. The attempt was made really just to see if we could do it and as a personal challenge, so no plans to submit the shot but you never know!
LPP ∇ Will you try for more if someone comes along and does 101?
AW ∇ If someone comes along and does 101 (something we did talk about while setting up the shot but decided to go for the purity of the 100) then it just gives me an excuse to go out and do some more!
LPP ∇ Thank you very much for your time awesome work!
AW ∇ I just want to mention at this point that a lot of my inspiration comes from the great community of light painters on flickr and my thanks and gratitude goes out to all of them (you know who you are) for the encouragement and inspiration that they all give! Thanks guys!
Thanks for your interest in the century of light orbs and watch this space for my next project!
TCB Virtual Brain Etching
We all know Dana Maltby, a.k.a. TCB, is always doing some crazy light painting work. He creates so many good images that I don’t even really post his new sheeet up here, because it would be a full time job. Lately TCB has changed his focus up a bit and is doing some insane double exposures. This piece, Virtual Brain Etching, a Homage to they young MC Escher is one of my favorites check out the image and the making of video below and remember this is SOOC (Straight out of Camera)!
Welcome Dennis Calvert
Welcome Dennis Calvert to LightPaintingPhotography.com. Dennis is the first to be featured in a new section of the site called “Bright Talent”. The Bright Talent section of LPP focuses on artist who are currently doing progressive light painting photography work and are actively contributing to the light painting community. Check out Dennis’s profile and interview HERE.
TackyShack licenses 100 light painting images to the University of Phoenix and lands a Dorcy Sponsorship.
Congratulations to light painting photographer Jeremy Jackson, a.k.a, TackyShack, who has had all of his hard work paying off recently! Jeremy has licensed 100 of his images to be used by the University of Phoenix, and he was contacted by the folks over at Dorcy to sign onto a sponsorship deal. Check out the image from the University of Phoenix website below, and head over to http://www.dorcydirect.com/ and support the company that is supporting light painting photography. Congratulations Jeremy!
March Contest Winner
and the winner is…… Chris Benbow! The theme of the first ever LightPaintingPhotography.com was to use the LPP logo in your light painting composition. Chris used a combination of awesome location, wild wool fire, and precise stencil placement to create this winning light painting image.
For his efforts Chris wins the LPP prize pack pictured below, a front page feature on the LightPaintingPhotography.com website, bragging rights, and he gets to judge this months competition.
Check out more work from Chris HERE or check out his website HERE. To see the current monthly light painting photography contest and for your chance to win click HERE.
Ball Of Light Documentary and Denis Smith Interview
Ball of Light – The Denis Smith Documentary
This 15-minute documentary tells the inspiring story of Denis Smith. Just two years before its creation, Denis was working in high-pressure sales, struggling with depression, debt, and alcoholism. Then he discovered Light Painting—and his life transformed. Now known for creating beautiful, glowing orbs of light, Denis has become a voice of hope and inspiration for creative people everywhere.
Visit:
balloflight.com.au |
samcollinsmedia.com
Interview with Denis Smith
LPP ∇ First of all WOW, what an awesome documentary. It’s such an honest and inspiring story. How did this project come about?
DS ∇ Sam Collins visited my booth at an art market and we hit it off. He originally wanted to do a 3-minute short film, but quickly realized my story went much deeper.
LPP ∇ The film is deeply personal. Were you hesitant to open up?
DS ∇ Not really. Sam made me feel completely at ease. It was a reminder of how far I’d come.
LPP ∇ How long did it take to complete?
DS ∇ About 4 months. We worked together at a natural pace and really found our rhythm.
LPP ∇ Any memorable moments while filming?
DS ∇ Absolutely. Sam fell asleep on train tracks during a late shoot, and the Ball of Light saved him—no joke! I captured it all on camera.
LPP ∇ What are your plans for the film?
DS ∇ We’ve had great online response. It’s being used as a motivational and promotional piece, and it’s resonating with people wanting to make real change.
LPP ∇ What was your turning point in life?
DS ∇ Realizing I was working just to stay afloat. With my wife’s support, I made the leap to choose happiness and health.
LPP ∇ Did you quit immediately or plan your exit?
DS ∇ I had to be strategic due to debt. Luckily, the company made me redundant, which helped.
LPP ∇ How did Light Painting enter your life?
DS ∇ I got bored with standard photography. Finding Light Junkies on Flickr and seeing artists like Jeremy Jackson and Michael Ross blew me away and inspired me to push myself.
LPP ∇ What gear do you use?
DS ∇ Canon 5Dmk2 with 24-105L and 50mm. But I stress—gear isn’t everything. I started on a 450D and created some of my best work with it.
LPP ∇ What tools do you use for the Ball of Light?
DS ∇ Simple LED setups—about 30 sets with varied color and brightness. A 12V supply keeps them powered.
LPP ∇ Are you doing Light Painting full time?
DS ∇ I sell prints and do markets, but still have a day job. Light Painting is growing though, and I dream of following the full moon across the globe!
LPP ∇ What about your printing process?
DS ∇ I use Atkins. High-quality Epson prints mounted on gator foam or framed. I might buy an Epson A2 for smaller runs.
LPP ∇ Have you found your life’s path?
DS ∇ Yes. Light Painting is healthy and fulfilling. I’m open to where it leads but not searching anymore. I value health, sanity, and family above all else now.
LPP ∇ What do you hope people take from this film?
DS ∇ That it’s okay to make big changes when you’re struggling. Change is hard, but worth it. And anyone can pick up a camera and start creating.
LPP ∇ Should we all quit our day jobs?
DS ∇ Only if it’s making you sick and you have support. Get out of debt. Own your happiness. The rest will come.
LPP ∇ Congrats on everything. The world is glad you found the light.
DS ∇ Thanks, Jason. I’m glad the light found me too.
More from Denis and Sam:
balloflight.com.au |
samcollinsmedia.com
Safe and Sound Project
To friends who made this possible,
Hello everyone!
Thank you all for sending us all these PikaPika images! We’ve received
total of 729 images from 101 groups and individuals all around the
world.
It almost brought tears to our eyes when we were working on the video message.
Please check out the website listed below to view the video message.
It can be viewed from iPhone as well.
http://www.safe-and-sound.jp/
We hope that the images you sent us will soothe the souls of people
who are still facing difficulties in the affected areas today and also
of those undertaking the rescue and recovery efforts there.
Following this video message project, these images will also be used
for raising funds through charity events and exhibitions, and by
publishing them both inside and outside Japan.
We really hope that these projects will be beneficial to the future
Please let us know if you wish your pika pika images to be removed
from the projects.
Let’s all pray for the bright future of Japan.
Let’s stick to what we can do to support each other !
Once again, Thank you all for your support to make this happen.
Light Painting Tutorial: Orb Techniques
Light Painting Tutorial: Orb Techniques
This light painting photography tutorial video will show you two of the basic techniques for creating an orb using a light source that you can spin. Created and presented by Jason D. Page.
Light string tutorial Click HERE.
Immaterials: Light painting WiFi
I saw this light painting video a while back and forgot to post it up… so here it is for those of you that have not seen it yet. pretty effing awesome.
This project explores the invisible terrain of WiFi networks in urban spaces by light painting signal strength in long-exposure photographs.
A four-metre long measuring rod with 80 points of light reveals cross-sections through WiFi networks using a photographic technique called light-painting.
More here:
nearfield.org/2011/02/wifi-light-painting
yourban.no/2011/02/22/immaterials-light-painting-wifi/
Behind the scenes: yourban.no/2011/03/07/making-immaterials-light-painting-wifi/