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You are here: Home / Archives for Light Painting Photography

TOP 100 photos of the International Light Painting Award 2016

August 17, 2016 by Jason D. Page

International Light Painting Awards 2016
Have a look for the TOP 100 photos of the International Light Painting Award 2016 by Jan Leonardo, now the grand jury will make the final selection! Good Luck to all that made the cut some AMAZING work!

http://www.lightart-photography.de/lp-award/gallery/

Thank you very much to the Artist Jury:
– Eric Paré
– Pala Teth
– Mart Barras
– Gus Mercerat
– Xiao Yang
– Jeswin Rebello
– Ivan Lucio Boluda / Rider of Light

Filed Under: Light Painting Photography

Light Painting Music Video The Treble – Wherever You Go

August 8, 2016 by Jason D. Page

Light Painting The Treble

This is pretty interesting, The Treble’s new music video for their song “Wherever You Go” was created using a pixel stick. The idea of creating a light painting stop motion using the pixel stick is not a new concept however the way that The Treble did it is pretty unique and true to the spirt of the Light Painting Art Form.

The video features the “Wherever You Go” lyrics light painted into over 2,500 photographs from artists around the world. The light paintings were then stitched together into a stop motion animation for the final video. Check it out, a full list of artist credits can be found below.

Yousef Hasan
Marco Catini
Fabio Guarda
83BIS Design Studio
Gary Lintern
Buster Brown
Tom Wursten
Ashley Meade
David Crocker
Shaun Nicholas
Peter Dorr
Christopher Jones
Zack Bissenden
Nancy Alford
Luc Thibodeau
Philip Spaar
Elton Mcaleer
Jack Beyer
Ben Mckinley
Achim Bossert
Deb Tucker
Placido Petralia
Simon Widmer
Eldon Tyrell
Will Barnes
Garry Quinn
Natalie Gee
Michael Bostwick
Christopher Lonie
Roy Mackay
Mark Brusegard
Cameron Reid
Sheri Johnson
Dids Reeve
Eugen Mihalicka
Kelly Hofer
Paul Burns
Kevin Wong

Filed Under: Light Painting Photography, Light Painting Video

Light Painting Photography Contest Winner, July 2016

August 4, 2016 by Jason D. Page

Light Painting Contest 14 July 2016
And the winner for the March 2016 Light Painting Photography Contest is… Riders of Light for the excellent image above! This light painting is part of a series of creative images inspired by the character from the The Legend of Zelda: Twilight Princess video game.

To create the winning image Riders Of Light worked with cosplay model Ishere Lartnec and traveled to the ruins of Caudilla in the province of Toledo (Spain) for the perfect backdrop. The image was created using a Canon 6D, shot at F8, ISO 100, and an exposure time of 58 seconds. The Riders of Light said that they were also lucky “that some clouds accompanied us and helped compose our scene.”

Along with that little bit of luck I think it also took vision, and some real skill to pull off this wonderful image. Check out some of the other images from the series below and to see more work from the Riders Of Light check out their website HERE.


For this fabulous creation Riders Of Light will receive a LPP prize pack filled with treasures from our sponsors below. Click here to see the current contest theme and find out how to enter to win your LPP prize pack!

Light-Painting-Brushes-Banner

Click here to see the current contest theme and find out how to enter to win your LPP prize pack!

Filed Under: Light Painting Contest, Light Painting Contest Winner, Light Painting Photography

2016 International Light Painting Awards, Entries are LIVE.

July 29, 2016 by Jason D. Page

International Light Painting Awards 2016

UPDATE: SUBMISSION PROCESS IS NOW CLOSED.
CHECK OUT ALL THE INCREDIBLE ENTRIES HERE.

Just a few days left to get your entries in for the International Light Painting Awards by Jan Leonardo, August 1st is the deadline, GET YOUR ENTRIES IN NOW!

This FREE Light Painting contest gives is your chance to win some incredible prizes worth over 10,000 Euros! Some of the prizes include a Sony A7R II + Lens, a Carl Zeiss Milvus Lens, a LedLenser Light Kit, Hahnemuehle Fine Art Inkjet Paper Set, Light Painting Brushes & Coast Light Painting Kit, Manfrotto Carbon Fiber Tripod and Head, and Lucoit Filter Set.

Filed Under: Light Painting Photography

Light Painting Photography Contest Entries, July 2016

July 22, 2016 by Jason D. Page

Light-Painting-Contest-July-2016
Here are the entries for the July 2016 Light Painting Photography Contest. Everyone PLEASE VOTE in the comment section of this page to pick your top 3 images, the images all have a number in the title (EXAMPLE… IF ONE OF YOUR FAVORITES IS THE IMAGE TITLED “Light Painting Contest 08 July 2016″ THEN YOU SHOULD PUT THE NUMBER 3 AS ONE OF YOUR CHOICES). Please remember that the theme of this contest was WINGS this could be light painted wings or light painting something with wings. Voters that do not include 3 unique choices in their post will not be counted. In other words no 1,1,1, or 5,5,5, or 7,7,7,…..Please pick your three favorite IMAGES based on the image alone, thank you.





The light painting photography contest series is sponsored by the best damn companies on earth COAST Flashlights, Neon Flexible, LED Flexible,and Light Painting Brushes ! Please support these awesome companies that support our light painting art from, without them this contest series would not be possible!
Light-Painting-Brushes-Banner

Filed Under: Light Painting Contest, Light Painting Photography

The Business of Light Painting, Workshops with Denis Smith

July 14, 2016 by Jason D. Page

Light Painting Workshop Denis Smith 03
In this ongoing Light Painting series I am going to dive into The Business of Light Painting. As our art form grows, so grows the potential for us to become full time professional Light Painting Artist. I think that most of us have to make a living from something other than our passion of Light Painting and that is not always fun. The good news is today the opportunities for making a living (or a least enough to support our light addiction) by doing what we love have never been greater! For this series I talk with a few of the Light Painters out there who have had success in The Business of Light Painting. Each of the artist that I have interviewed for this series have shared their experiences and offered great insights, I hope that everyone can gain some knowledge and/or get inspired to create their own Light Painting business and make a living doing what we love. Please show these artist some appreciation with a high-five if you see them in person or an online thank you for sharing their gained knowledge with us.

Denis Smith has had a tremendous amount of success with his Light Painting Workshop series in this article I got some insights into what makes a successful workshop and how to get started.
Part 1 Denis Smith (Light Painting Workshops)
Part 2 Darren Pearson (Commercial Light Painting Photography)

The Business of Light Painting Workshops with Denis Smith:

LPP ∇ Denis first off thank you for taking the time to answer some questions about your Light Painting workshops. I know you have had many successful Light Painting workshops in some epic locations. What was it that inspired you to start doing your workshops?
DS ∇ I think the first thing to make really clear is that along with my paid photography workshops I delivered many free presentations and light painting demonstrations at photography clubs, events and other bits and pieces, but here we will focus on the paid workshops. You can apply most of the advice below to planning a free workshop though.

A few years ago I put on a free light painting presentation here in Adelaide. We weren’t expecting many to turn out, but ended up with about 180+ people in the room. It was amazing! There was a real joy in showing that many people how we create the magic of light painting images and talking with them about how light painting came into my life. The feedback was incredible. It was very clear that people were leaving inspired and motivated to have a go.

I did a couple of small paid events as part of an arts festival, then the demand went crazy. Along with my business partner we decided to bring the light painting workshops under the umbrella of our video and photography business (www.smithandcollins.com) this has been the key to the success of the workshops. There is simply no way I could have managed everything after hours and on the weekends.

I was not going to start holding workshops unless they were simply the best quality events available, full stop. To do this required a large investment in equipment, light painting tools, marketing and relationships with key stake holders. The workshops had to become a serious business to deliver a serious product.
Light Painting Workshop Denis Smith 01

LPP ∇ You have held several different types of workshops varying in the number of participants, single and multiple nights, and several different locations, can you tell me more about the different types of workshops you have offered?
DS ∇ In designing the workshops, it was incredibly important to have something for everyone. We hold larger events with up to 40 participants along with much more intimate workshops with as few as 10 people. I wanted there to be a product for anyone from a student to a lawyer. I also wanted to retain a real sense of personal attention to the participants. The feeling that the night was about them, and them creating art.

We hold workshops in a huge variety of locations. Massive industrial buildings, abandoned lunatic asylums, out in the forest, on wide open salt flats and even at schools when catering to students. In reality there is an unlimited variety of locations.

At all of our workshops we spit the event into “zones” so that there are no more than 5-7 people in each zone. In a large open space we will have 4-5 large zones with a different theme. A car, a light painting portrait zone and of course an orb zone. Rotating through the zones through the night gives each participant real variety. We tailor the layout and zones to each location.

LPP ∇ Which is your favorite type to do and why? Do you prefer to work with big or small groups?
I love taking groups out into the field. We take relatively small groups, 10-12 people, into the forest under a full moon. I love these because they get to experience the true wonder of light painting with nature. They can understand what is involved and really take away the complete experience.

DS ∇ I prefer a smaller group as it allows me to interact with each person more through the night. The reality is people seem to enjoy spending time with me one on one.

LPP ∇ Multiple nights on location must be pretty difficult to set up logistically, can you tell me about some of the challenges and how do you overcome them?

DS ∇ Running any high quality light painting workshop (or any workshop for that matter) takes a huge amount of logistical planning, for even the most basic night. Our largest events are fully catered, have multiple crew, up to 10, and require significant PA and projection gear. Planning for an event starts up to 3 months out. Getting approvals for locations, booking caterers and baristas, organizing crew and staff along with marketing, bookings and dealing with enquiries is huge.

There is a core groups of us who manage all of these things. My wife Kyrie, business partner Sam and my workshop assistant Ben all work closely with me to make things run smoothly. The key to making things run smoothly was keeping control of all facets of planning and booking.

We designed the booking system into the back end of our website so that things would remain personal and tight with responses and communication. The only way to be sure our events run smoothly is to allocate enough time to the planning and running of the events.
Full moon in the Forrest-5576

LPP ∇ How do you get people to know about the workshops? What would you say is the best way to get people to sign up?
DS ∇ I developed strong methods using social media to market the events. Targeted, paid Facebook marketing along with strategic contact with camera clubs is good. I also have a very close relationship with the largest camera retailer in our state. All of these things combined with a very strong mailing list make sure we get the word out to the right audiences for each event.
Most importantly is to create an unforgettable experience for the participants. Word of mouth and referrals are so important. We gather feedback from the nights and use that to improve future events. This is smart.

LPP ∇ Going back to the different workshops that you have done, how do you come up with a price to charge? Do you have a formula that you use, that you will share with us, or is each workshop so unique there is no formula to use?
DS ∇ Our light painting workshops are a business. Creating the best possible experience requires significant investment up front, and serious operating expenses during the events. Just like any business you must go back to basics, even for the smallest event, the basics apply. You must develop a plan. We have a strong business and marketing plan around the workshops. These must include expected costs and revenue. You have to be realistic about all of these though.
There are costs that you will not factor in, like enough torches for everyone. Printing flyers, water and snacks for everyone. You will have to have some form of insurance. You will need a first aid kit and so on.

Here is the BIG one. Your time has value! You will put all the thought into having all of the required light painting tools (which are not cheap, and you need lots), a killer presentation and great flyers as people leave, but you MUST factor in your time. It has value. And unless you apply a value to your time and put it into the spreadsheet, you will look back and feel bitter that you worked so hard for nothing.

Put simply, yes we have a very strong formula. It has many components, but it is a simple formula. Revenue – costs = profit. Be realistic about what your costs are and pay your crew!
Also NEVER forget why you do light painting.

LPP ∇ From what I have seen it really looks like you pay attention to every little detail, what are some of the special things that you do to make sure that everyone is satisfied and feels like they got their monies worth?
DS ∇ I want the workshop experience to be hands on. Time spent with a tool in their hand is more fun than sitting listening to me talk. We keep presentations to the absolute minimum. So prior to the event they have received emails with tips and tricks to prepare them for the night. They know the basics of camera settings and some basic theory before the night. The thrill of light painting is seeing images you have created on the back of the camera, so we get people painting quickly.

I always make sure I spend time with each workshop participant one on one. This is super important.
Light Painting Workshop Denis Smith 02

LPP ∇ Ok so I am a light painter and I want to have a workshop in my hometown, what do I do first?
DS ∇ Start small. This way you will get the processes right with little stress, then scale up. Start with some friends, or a camera club.

LPP ∇ What is the one piece of advice that you wish someone would have told you about putting the workshops together that you had to learn the hard way?
DS ∇ Be independent. Try and do as much as you can yourself. I was approached by a LARGE camera manufacturer who made all sorts of promises in return for being involved with the event, then delivered very little of what they had promised. This left me bitter.
We definitely partner with people, but retain complete control of all marketing, planning and running the events.

LPP ∇ Thank you for sharing your experience and knowledge with us Denis!
DS ∇ Thank you.

To learn more about Denis check out his website right HERE.

Filed Under: Light Painting Photography, Light Painting Video

2nd International Light Art Congress in Oviedo Spain, Exhibiting Artist List.

July 12, 2016 by Jason D. Page

2nd International Light Art Congress in Oviedo Spain

Don’t forget this weekend July 15th-17th, 2016 is the 2nd International Light Art Congress in Oviedo Spain! There will be a LPWA exhibition of 100 international Light Painting Artist! Below is a total list of the exhibiting artist. There are also many other exciting events set to take place include speeches, light painting presentations, master classes, street spectacles, live light painting shows, group light painting night sesions and much more. Meet and learn from some of the greatest light painting artist around! Check out this promo video video and hope you can make it to the event! Learn more HERE.

List of Exhibiting Artist:

ARGENTINA
Elemental Light

AUSTRALIA
Rob Turney

BELGIUM
Palateth

CANADA
Scott Ireson
Eric Pare
Patrick Rochon

CHINA
Roy Wang

EGYPT
Mona El Tobgy

FINLAND
Hannu Huhtamo
Jukka Laine
Luplof
Janne Parviainen

FRANCE
ATB ART
Stephane Babatasi
DAWN
Diliz
Jadikan
KOMEG
Alexandre Lefebvre
Frederic Leroux
Cesium Lightgraff
Jester Lights
Chanette Manso
MASS
Patrick Scherer

GERMANY
Aurora Movement
Electrical Movements in the Dark
Alexandr Gnezdilov
Gunnar Heilmann
JanLeonardo
Lichtfaktor
Lightmark
Miedza Lightart Photography
Bernhard Rauscher
ZOLAQ

INDONESIA
Putu Toni

IRELAND
Gareth Nathan

ITALY
Maria Saggese

MEXICO
Ramses Pacheco

MOROCCO
Cisco

NETHERLANDS
Maarten Takens

SPAIN
Antonio Martinez
David Maimo Lazaro
Jose Luis Lozano
Riders Of Light
Santiago Salinas
Yolanda Hermida Diaz
Mario Lechuga Suarez
Jordi Soriano
Eduardo Cajigal Gonzalez
Dave Astur
Frodo Alvarez
Rafael Rodrigo Perurena
Flashes En La Noches
Salva Mico
Carles Calero
Dark Red Team

UK
Tim Gamble
Ian Hobson
Darren Hopkins
Alan Jaras
James Mills
LED Eddie
Dan Whitaker
Rosetta Whitehead

USA
Chris Bauer
Aurora Crowley
Brian Hart
John Hesketh
David Hull
Jordan Kjome
Eric Mellinger
Jason D. Page
Troy Paiva
Darren Pearson
Jason Rinehart
Seeing With Photography Collective
Matthew Scherfenberg

INTERNATIONAL OBEREVERSAND LIGHTHOUSE TEAM (Dorum 2015)
Dirk Schütze, Eike Henning, Frank Upmeier, Gunnar Heilmann, Holger Kneifel, Jannes Bauer, Jenja Ospanov, Jenny Kretschmer, Jörg Miedza, Jörg Schmidt, Leonie Hoppe, Liela-Paulin Krause, Marc Krug, Norbert Götz, Olaf Schieche, Oliver Schnepper, Ralf-Martin Tauer, Timo Kretschmer, Werner Heisenberg (all Germany); David Brams and Jan Teunis (Belgium); Maarten Takens (Netherlands), Leonardo Lopez (Argentina) and Sergey&Natalia Churkin (Russia).

Filed Under: Light Painting Photography

Vote For Juls Boo and Komeg Fotograff

July 2, 2016 by Jason D. Page

Light Painting Nuit Debout 44

Light Painting Artist Juls Boo along with fellow light painter Komeg Fotograff need a little help from the Light Painting Community.

Recently Juls and Komeg were present during the social movement called “Nuit Debout” in Paris. Seeing an excellent opportunity to combine Light Painting Photography with photojournalism, Juls and Komeg created more than 200 light painting portraits on scene. Each of the portraits they created is accompanied by testimony of the various energies gathered at “La Place De La République”.


The images were then printed and hung from strings tied around the Republic Square in Paris for everyone to see, read, and discuss.


This work has gained the attention of Didier de Fays, editor of Photographie.com and was selected by Didier to be included in the Zoom Photo Competition. This is where we can help. The competition consists of 2 parts, one part where a jury selects the winners and another where the public votes on the website. If you would be so kind please go to this link http://votezoom.lesalondelaphoto.com/ check out the work and if you would like please cast your vote for Juls and Komeg, you will find the ballot at the very bottom of the page linked. 🙂

You can also follow along with the project on Facebook HERE.

Filed Under: Light Painting Photography

Light Painting Climate Change By Numbers

June 24, 2016 by Jason D. Page

Light-Painting-by-Compost-Creative

This impressive piece created by Compost Creative was made for the BBC series on Climate Change. It’s hard to tell exactly how much is CG and how much is actually Light Painting but it sure did come out great. I think this is a great example showing the potential of incorporating Light Painting in a narrative piece of journalism.

Filed Under: Light Painting Photography, Light Painting Video

Light Painting Break Down: Insider by Tim Gamble and Chris Thompson

June 22, 2016 by Jason D. Page

Light-Painting-Tim-Gamble-Insider

From time to time we come across a light painting and just stare it wondering how the F@#! did they do that?!?! Break Down is a series if which I only ask the artist one question “How the F@#! did you make this” its up to the artist to tell as little or as much as they want. For this Light Painting Breakdown Tim Gamble talks us through how he and fellow light painter Chris Thompson created the above image titled “Insider”

So Tim how the F@#! did you make this?

I’ve been a massive fan of silhouettes within silhouettes since seeing awesome work from LED Eddie and Mart Barras. I had also seen some images from people on Instagram which whilst being pretty visually appealing they were created in F%?#ing Photoshop. I saw one which involved a hooded top being pulled open by the model to reveal something lurking inside. Always keen for a challenge I decided to give it a try in-camera as it’s always way more fun that way.

Firstly I needed a suitably dark and moody spot to shoot this in and I headed to my favorite lime kiln with Chris Thompson. This was the first outing with Chris T’s new softboxes and I knew the quality of light from them would work a treat for the first part of the exposure. We set one up on either side of me with a Yongnuo 560iv in each.

Next we worked out the best settings and light positioning to gain perfect exposure on the Parka. I had already worked out the best way to keep my face and torso from exposing and that was to wear my favorite black light painting hoodie back to front. Whilst looking incredibly strange it worked a treat. It was really important that no light fell on those areas so as to keep a blank canvas for the inner silhouette.
Light-Painting-Insider-Set-Up-by-Tim-Gamble

Once happy with that aspect we added another light directly behind me about 8 feet away. Another Yongnuo 560iv on full power @24mm gelled “Jaffa Cake” orange to add a slight separation light or rim light and to expose some of the stonework in the kiln. The final piece of the first part of the exposure was to add the laser which was stuck with gaffer tape to the top of the rim light. I filled the air with Vape from my e-cigarette and through trial and error nailed down how long the laser needed to expose correctly. Once happy we moved onto the second part of the exposure.

As I was with the net curtain waving champion of the world I knew that was the effect I wanted to create the fire for the silhouette. Orange gel on my led lenser P7.2 and the Light Painting Brushes Universal Connector as a snoot.

I stand still and Chris frantically wafts the net curtain up and down whilst lighting it with the gelled torch from behind me. We had to work out where I was to stand so I didn’t interfere with the first part of the exposure. The cherry on the cake was the flare from the middle of my chest. Once happy, markers were placed on the floor and it was time to put it all together in one go.

I turned live view on so Chris could position me in a central position, ensuring both of my hands stayed in the frame. I filled the kiln with vapor from my e-cigarette, pulled my black hoody over my face, turned on the laser, torch off and I fired the shutter.

Chris fired the soft boxes and rim light with the radio trigger and we let the laser burn in whilst I held still. 30 seconds of laser and Chris replaced the lens cap. I made my way to my second position and turned off the laser. Chris removed the lens cap and made his way behind me with the torch and the net curtains. After Chris had finished expertly waving them around for the flames he passed me the torch and I popped it on full power for less than a second for the flare held in the middle of my chest.

Shot on a Canon 650D, Tokina 11/16mm, 3 x Yongnuo 560iv flashguns, 2 x Photo-R 24” x 24” softboxes with stands, 1 x green laser pointer, vape from my e-cigarette (smoke bombs would do), 1 x Light Painting Brushes Universal Connector as a snoot and a Led Lenser P7.2.

Settings.
12mm,
F7.1,
Iso 100,
223 seconds
Auto White Balance.
3 x Yongnuo 560iv’s full power @24mm.

A massive “big up” to Chris Thompson for his help in realizing this shot. Without him I’d still be there now. Cheers.

This is some freaking incredible work and thank you to Tim for sharing some of his secrets! Below are a few more stunners from Tim using a similar technique! Check out more of of Tim’s work HERE and you can find Chris right HERE.


Filed Under: Break Down, Light Painting Photography

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