Light Painting Photography

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3D Light Painting Animation by Trunk Animation

November 9, 2015 by Jason D. Page

Light Painting Shilouette 01

I saw this Light Painting video called Floating Points ~ Silhouettes created by the creative team at Trunk Animation about a month or so ago and I completely dismissed it as a computer animation project, mainly because I was not smart enough to think that something like this could be done without post production. Well I just found the making of video (see bottom of post) and boy oh boy was I wrong and damn these guys are smart. This magical light painting animation took a team of creative and technical masterminds to complete, now I don’t know if anyone from the team will be reading this but if you are sorry for not understanding how amazing this is. You guys (ladies and gentlemen) are incredible, well done.

Directors: Junior Martínez, Pablo Barquín
Creative Team: Pablo Barquín, Anna Diaz Ortuño, Nathan Grimes, Junior Martínez
Executive Producers: H.I. (Hamill Industries) & Floating Points
Lead Producer: Anna Diaz Ortuño
Director of Photography: Nathan Grimes
Research & Technical Development: Pablo Barquín, H.I.
H.I. Technical Assistant: Joan Recasens
Editor: Anna Diaz Ortuño
Lead Animators: Fernando Domínguez, Wyz Borrero
Animators: Ohmyhood Luis “Inkclear” Redondo
Concept Artists: Junior Martínez , Michele Angelo
Plants Set Decorators: Estudio Sauvage
Post-production Team: Agus Verrastro, Florent Bastide
Production Assistants: Aida Busquets, Lidia Arruego
Digital Intermediate provided by RCO
RCO Colorist: Seth Ricart
RCO Producer: Marcus Lansdell
Special thanks to:
Fundación Rio Tinto, Ivan Rodriguez, 380 Monta Llum i Roda, Rab and Tanya Gordon, Chabeli Rodriguez, Marga Sardà, Alba Barneda, DVEIN, Agus Verrastro, Pamplona89, RCO, Laura Martinova, Pablo Hugo, Melissa, Saúl Narbona, Irina, Javo, Elsa Tejera, Jacinto Barquín, Marc Luelmo, Tinta, Cynthia, Sarah, Mita, Eric and specially to Sam for believing in this project since the very beginning.
Shot in Río Tinto, Huelva & Hamill Industries Headquarters
Barcelona, 2015

MAKING OF:

Filed Under: Light Painting Photography, Light Painting Video

Denis Smith Light Painting Workshop

November 2, 2015 by Jason D. Page

Denis Smith Light Painting Workshop

I have never been to one of Denis Smith’s Light Painting workshops but from what I have seen and read it looks like the man puts on one of the best workshops in the business. From awesome locations and gear for everyone to use, all the way down to the food service, the events look like one incredible experience. Good news is he has a new one coming up this month! Check out the video below for a taste of what to expect and head over to http://www.smithandcollins.com/workshops/ for all the details.

Filed Under: Light Painting Photography, Light Painting Video, Light Painting Workshops

Light Painter Timo Rehpenning wins Gold at the Trierenberg Super Circuit

October 22, 2015 by Jason D. Page

Emergency Exit kl

I wanted to catch up with Light Painting Photographer Timo Rehpenning who recently won the Gold Metal for the above image in the category of “Night Images and Artificial Light” at the Trierenberg Super Circuit. Tim says “This is a win for all light painters” bringing more recognition of our art form at the largest photography contest in the world. Read on for all the details…

LPP ∇ Hey Tim Congratulations on your big win at the Trierenberg Super Circuit! It so great to see a Light Painter getting recognized at such a large event. Can you tell me a little more about yourself and how you got into Light Painting.

TR ∇ I have owned a dslr since 2008, until I got hooked up upon Light Painting I shot the usual, regular stuff most likely every beginner in photography shoots – plants, family (kids), all sorts of animals and insects, and so on ;-). After I paused from worklife because of a burn out and depression I tried to do photography a little more seriously and that was the time I stumpled over the works of Jan Leonardo Wöllert and other light painters. I just wondered “how the hell do they do that! A little later I had my first attempts with whoolspins after some tries and some fails, voila I had my first whoolie orbs done, that actually had a proper shape. Lots of experiments with different led lights followed. But it was not enough – I generally wanted to get deeper into photography. The best thing to do seemed to me to join in a local photo club. As it turned out later, I picked one of the most successful clubs in germany.

None of my clubmates had any expierence with Light Painting before and they were a bit skeptical about the images I showed them. In Dec. 2013 I got lucky and one of my images were picked for the LPWA Exhibition in Paris – I guess it was from that moment, people at the club took Light Painting a bit more serious.

LPP ∇ How did you become involved in the contest, did you find out about it through the club?

TR ∇ On regular club meetings there is much discussion about pictures and wether they would might work in contests, on that occassion I first heard about huge contests like “Al Thani”, “Hipa” and of course “Trierenberg Super Circuit”. Some of my clubmates seem to believe in the stuff I did and in early 2014 they convinced me to join a contest called German International Photo Cup, compared to Trierenberg it is a rather small one. I didn’t expect any of my Pictures to be good enough to actually compete but one of them got me my first gold medal and I was hooked. I submitted pictures to other contest and got at least several images accepted and at “Hipa” one of my images even made it to the last judging round.

You got to know, we’re talking about contests that are mostly about classic photography themes like Portrait, Landscape, Architecture, Nature.

Trierenberg however is a bit different, the people behind it are looking for images a bit more artistic than in other contests. That (besides beeing curious) was the main reason I sent in 14 images. The Contest is split into several, so called salons with categories like night photography, nature, nudes, portrait, digital art and so on… That got me a total of 30 acceptances, which alone is a huge honor in such a big contest. There was a total of 110,000 pictures from 110 countries that were submitted, which makes trierenberg truly the world biggest contest – one reason it is often refered to be the oscar of photography!

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LPP ∇ Did you make the image specifically for this contest?

TR ∇ Actually no! After the exhibition in paris I got a call from a local TV station – they asked me about an interview and I created this image for that occasion.

LPP ∇ How did you find out you won?

TR ∇ At the end of the judging phase every particpant gets a notification via e-mail, which tells which picture got accepted. I however got an e-mail wich said I was one of the winners – awarded with the gold medal in the category “Nightlight and artificial light”! I was invited to the gala of photography in Linz. Don’t ask how many times I had to read that email until I finally realized I wasn’t dreaming!

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LPP ∇ What did you win?

TR ∇ Loads of money? “laughing” Well no, I got a nice metal, that looks great in my display cabinet.
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Only the winners of the “Grand prize” get some cash, but for that you have to have your pictures ranked at the top in all salons and different categories as well. I didn’t drive all the way to linz (from the place I live its about 650 km by car) only to get this medal, it was an awesome event and I had the chance to see really great pictures in each category, meet some fantastic people (and all of them crazy about photography, and many traveled half around the globe to join the gala – some of them came all the way from China and Australia) I made some new contacts.

The way I see it – The gold medal I just got is not only a medal for me, its for all Light Painters, the ones that got me into this kind of Art, the ones that pushed me and it is also for Dennis Calvert (thanks once more, mate!!) who developed the technique I used to create my winning picture.

LPP ∇ Congratulations again its a awesome image and a win for all of us, and thank you for taking the time to answer some questions!

TR ∇ Thank you.

LPP ∇ Check out more of Tim’s work on his website and Facebook!

Filed Under: Light Painting Photography

Light Painting Tutorial: Spirographs and Physiograms

October 15, 2015 by Jason D. Page

Light Painting Spirograph by Jason D. Page
Light Painting Spirograph by Jason D. Page
Light Painting Spirograph by Jason D. Page
Light Painting Spirograph by Jason D. Page
Light Painting Spirograph by Jason D. Page

Light Painting Spirograph by Jason D. Page
Light Painting Spirograph by Jason D. Page
Light Painting Spirograph by Jason D. Page
Light Painting Spirograph by Jason D. Page
Light Painting Spirograph by Jason D. Page

This light painting photography tutorial shows how to create a light painting spirograph or physiograms using tools from the Light Painting Brushes system. Spirograph are complex looking light painting that are really easy to create. This is a great project for people just starting out with light painting, also a excellent project for teachers that are interested in sharing the light painting art form with their students. Spirographs are fun and easy to make.

Check out these other light painting video tutorials!
Electric Orb: https://vimeo.com/121148809
Empty Plastic Bottles as Custom Light Painting Tools: https://vimeo.com/107518090

Become involved in the Light Painting Brushes Movement!
On Instagram @LightPaintingBrushes #LightPaintingBrushes
http://instagram.com/lightpaintingbrushes
http://facebook.com/lightpaintingbrushes
http://twitter.com/LPBrushes

Filed Under: Light Painting Photography, Light Painting Tutorials, Light Painting Video

Patrick Rochon’s new Light Painting Kata’s

October 13, 2015 by Jason D. Page

Light_Painting_Kata_Patrick_Rochon_8667



Patrick Rochon’s new Light Painting Kata’s are so beautiful they might make your eyes bleed. Seriously these new Light Paintings are stunning. The mix of color and free flow form captures light in exquisite beauty. This new work is just the tip of the iceberg in what Patrick has going on including a new website and signing with an agency that is sure to bring Patrick even more well deserved success!  Check out the video and read on of all the details.

Video by Pierre Tremblay, Listo films http://www.listofilms.com
Music by APigeon http://apigeon.bandcamp.com

LPP ∇ Hi Patrick, your new Light Painting Kata’s are really beautiful! To me they feel like there is some emotion and meaning behind them, can you tell me what the Light Painting Kata’s mean to you?

PR ∇ The LP kata has a personal and professional importance to me. It is a practice, an
exploration and discipline I’ve integrated in my life. The Kata is where I learn about myself and the art of light painting. This freestyle practice is transformative, it allows for non-control to take place, so in other terms, for intuition and instinct to grow. It gets you in a space of “feeling” the creation. In a way the kata is my teacher.
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LPP ∇ How did these images come about?
PR ∇ The creative process is fascinating for me. Why one day it works like a charm and other days, well no much comes out. Same person, same tools, but it seems like every moment has its gifts and disappointments.
Well when you observe yourself carefully, internally and see what comes out, you start to see how feelings, emotions and results are all connected. It’s like the guts and heard transmits as much data has the brain. So after a while observing, you can piece it altogether and “see” the process taking place like an internal map. You know when it’s time to push, time to rest and step back or time to change direction.
So, I practice a lot and disregard many images. All the images are part of the growing process, of the trail we take to get there so they are all important, but I only share the special ones, the peaks. The only goal is practice often and regularly. Switching to process orientation and away from result orientation. Through time you see yourself evolving with, it’s like your body learns automatically so all you have to do is show up and create the moment you are living, good or bad. That’s how these images came to be, process.
Light_Painting_Kata_Patrick_Rochon_8577
LPP ∇ I knew there was something deep going on with these… What is the vibe when you are making the Katas? Is it in silence or do you listen to music when you are creating them, if so what is it?
PR ∇ I do and right now I often let Soundcloud to the choice for me, it often goes into
good shuffle directions. Here is a link of a mix I like: Nickodemus Robot Heart
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LPP ∇ What you are using to make them and how you are getting those incredible colors?
PR ∇ I always use my Liteblades to do the katas. It gives the result I’m looking for, it inspires me to improve the tools and explore other possibilities. I play and modify the tools with tape, filters, textures… The tips are open so light comes through the front end so it gives me the options of adding different colours there and by using those and irises with black tape to control the quantity of light, it can create high lights and explosions when pointed to the lens.
I research my colours and find good combinations. I work with Lee and Rosco gels. I love the sample packs, they help a lot to find many variations of colours. Right now I work with prototypes that are bigger, it gives the impression of the light sword.

LPP ∇ Is there a feeling you hope people will have when they are viewing these images?
PR ∇ I think it’s personal. Everyone will feel different or see these differently. I hope people take time to be absorbed by the light in my images, taking time instead of zapping through, to become fascinated once again like a child, being sensitive to layers of their own imagination and inner selves.

Light_Painting_Kata_Patrick_Rochon_5348
LPP ∇ There have been some big changes in your life with your new website, which looks fantastic, and you have recently signed with a new Agency, Can you tell me more about that?

PR ∇ It’s been busy, I’m always seeking the next step and pushing myself further in my own process. It’s like a journey without a map where you need to trust your own feelings to get to places you didn’t expect.
When I met the agency Suzy Johnston & Associates a few years ago, I was impressed by the level of professionalism and consideration they had towards the other. But unfortunately, they rarely integrate new talents such as myself so we kept a good contact and I emailed them my work once in a while. After doing the Inspired Light project with Infiniti in Dubai, and while I was still dealing with the show in Saudi Arabia, my partner and I need support for negotiations and putting the right elements in place. I reached out to the agency and proposed a collaboration.
This collaboration allowed us to work together and gave us the chance to start a professional relationship. Since the connection, the chemistry and the flow was right, they offered to integrate me in the agency as one of their talents. So, we did the launch and announcement it in September.
I have to say, being surrounded by great professional people, is very inspiring and I feel the influence adding to my experience and knowledge. Of course soon after they asked me to create a new website to enhance and represent my work better. The older site didn’t give an overall view of what I do. It was hard to see my work for the people visiting, so many clicks and to much digging to get it… So, it took a period of three months to accomplish this new site, from searching platforms and templates to re-sizing and enhancing over two hundred images plus combining the shop, the blog, galleries and the choosing the artistic direction of it all….

LPP ∇ With everything I am seeing it feels like you have gone through a bit of a metamorphosis, is this limited to your website or is this in your Light Painting work and/or personally as well?
PR ∇ All is connected, the changes are affecting every part of your life, of my life. Change is everywhere right now, that’s what I’m seeing and feeling.
Light_Painting_Kata_Patrick_Rochon_5034

LPP ∇ One last question; What is the one person, place, or thing that you would really love to light paint?
PR ∇ Good question, I’ll get back to you with a result. 😉

LPP ∇ Congrats again on everything and signing with Suzy Johnston! I hope your success continues and grows my friend.

PR ∇ Thank you.

Filed Under: Light Painting Photography, Light Painting Video, Patrick Rochon

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