Search Results for: 200 orbs

Light Painter Timo Rehpenning wins Gold at the Trierenberg Super Circuit

October 22, 2015 by Jason D. Page

I wanted to catch up with Light Painting Photographer Timo Rehpenning who recently won the Gold Metal for the above image in the category of “Night Images and Artificial Light” at the Trierenberg Super Circuit. Tim says “This is a win for all light painters” bringing more recognition of our art form at the largest photography contest in the world. Read on for all the details…

LPP ∇ Hey Tim Congratulations on your big win at the Trierenberg Super Circuit! It so great to see a Light Painter getting recognized at such a large event. Can you tell me a little more about yourself and how you got into Light Painting.

TR ∇ I have owned a dslr since 2008, until I got hooked up upon Light Painting I shot the usual, regular stuff most likely every beginner in photography shoots – plants, family (kids), all sorts of animals and insects, and so on ;-). After I paused from worklife because of a burn out and depression I tried to do photography a little more seriously and that was the time I stumpled over the works of Jan Leonardo Wöllert and other light painters. I just wondered “how the hell do they do that! A little later I had my first attempts with whoolspins after some tries and some fails, voila I had my first whoolie orbs done, that actually had a proper shape. Lots of experiments with different led lights followed. But it was not enough – I generally wanted to get deeper into photography. The best thing to do seemed to me to join in a local photo club. As it turned out later, I picked one of the most successful clubs in germany.

None of my clubmates had any expierence with Light Painting before and they were a bit skeptical about the images I showed them. In Dec. 2013 I got lucky and one of my images were picked for the LPWA Exhibition in Paris – I guess it was from that moment, people at the club took Light Painting a bit more serious.

LPP ∇ How did you become involved in the contest, did you find out about it through the club?

TR ∇ On regular club meetings there is much discussion about pictures and wether they would might work in contests, on that occassion I first heard about huge contests like “Al Thani”, “Hipa” and of course “Trierenberg Super Circuit”. Some of my clubmates seem to believe in the stuff I did and in early 2014 they convinced me to join a contest called German International Photo Cup, compared to Trierenberg it is a rather small one. I didn’t expect any of my Pictures to be good enough to actually compete but one of them got me my first gold medal and I was hooked. I submitted pictures to other contest and got at least several images accepted and at “Hipa” one of my images even made it to the last judging round.

You got to know, we’re talking about contests that are mostly about classic photography themes like Portrait, Landscape, Architecture, Nature.

Trierenberg however is a bit different, the people behind it are looking for images a bit more artistic than in other contests. That (besides beeing curious) was the main reason I sent in 14 images. The Contest is split into several, so called salons with categories like night photography, nature, nudes, portrait, digital art and so on… That got me a total of 30 acceptances, which alone is a huge honor in such a big contest. There was a total of 110,000 pictures from 110 countries that were submitted, which makes trierenberg truly the world biggest contest – one reason it is often refered to be the oscar of photography!

LPP ∇ Did you make the image specifically for this contest?

TR ∇ Actually no! After the exhibition in paris I got a call from a local TV station – they asked me about an interview and I created this image for that occasion.

LPP ∇ How did you find out you won?

TR ∇ At the end of the judging phase every particpant gets a notification via e-mail, which tells which picture got accepted. I however got an e-mail wich said I was one of the winners – awarded with the gold medal in the category “Nightlight and artificial light”! I was invited to the gala of photography in Linz. Don’t ask how many times I had to read that email until I finally realized I wasn’t dreaming!

LPP ∇ What did you win?

TR ∇ Loads of money? “laughing” Well no, I got a nice metal, that looks great in my display cabinet.

Only the winners of the “Grand prize” get some cash, but for that you have to have your pictures ranked at the top in all salons and different categories as well. I didn’t drive all the way to linz (from the place I live its about 650 km by car) only to get this medal, it was an awesome event and I had the chance to see really great pictures in each category, meet some fantastic people (and all of them crazy about photography, and many traveled half around the globe to join the gala – some of them came all the way from China and Australia) I made some new contacts.

The way I see it – The gold medal I just got is not only a medal for me, its for all Light Painters, the ones that got me into this kind of Art, the ones that pushed me and it is also for Dennis Calvert (thanks once more, mate!!) who developed the technique I used to create my winning picture.

LPP ∇ Congratulations again its a awesome image and a win for all of us, and thank you for taking the time to answer some questions!

TR ∇ Thank you.

LPP ∇ Check out more of Tim’s work on his website and Facebook!

Ulrich Tausend a.k.a. 1000Lights Record Breaking Light Painting!

May 9, 2015 by Jason D. Page

At the age of 36 Light Painting Photographer Ulrich Tausend already has some great life accomplishments under his belt. He has owned and sold a successful gaming company, he has helped to organize numerous large scale events, and is currently working at the JFF – Institute for Media Research and Media Education in Munich Germany. Over the last few years Ulrich has set his sites on setting a World Record for the Most People Creating a Light Painting! Recently I had the opportunity to talk to Uli about his record breaking work and his passion for sharing the Light Painting Art Form in his unique way. Check out the interview below…

LPP ∇ Uli, Congratulations on your wonderful work sharing light painting and your dedication to setting a light painting world record. Seeing all those people light painting together is really something special! Can you tell me a little more about yourself?

UT ∇ Lighting has always been an important topic in my photography. I started with Light Painting some years ago and I really like to explore what I can do with this Art Form.
While it is fun to do orbs and ufos and so on, I prefer to work with people. Most of my light paintings involve people in one way or the other. I like interaction, especially with newbies who don’t know about light painting yet and therefore often have really fresh ideas. It is always exciting to see people experience the magic of light painting for the first time. I am also very involved with education, I love the sparkle in the eyes of students. For the last two years I have been working at the JFF – Institute for Media Research and Media Education in Munich/Germany. I have a history of game design and owned a computer games company before selling it in 2008. Since then I have focused on media education but I am still involved with serious game design. I am a Sociologist.

LPP ∇ Does the name of your website 1000Lights relate to your passion for sharing light painting and education or something else?
UT ∇ My surname “Tausend” means “Thousand” in english. I use 1000lights as my light painting pseudonym.

LPP ∇ Is this the first time you have created a Light Painting on a large scale with many participants, or have you done something like this before?
UT ∇ Two years ago (2013) I organized the Kids Photo Award in Munich. There we first tried out creating an “audience light painting”.

UT ∇ The kids really loved it. *See more about the Audience Light Painting 2013.

In 2014 we repeated the event on a larger scale trying to set an official world record. Making an official record involving many people actually posed to be a bit tricky. Guinness World Records only wrote us about what we actually had to do to get it accepted after the event and their guidelines are pretty tough if you don’t pay to get some one from Guinness involved.

UT ∇ Since then I did several other “audience lightpaintings”. I especially liked the ones at the Ohrenblick Mal 2013 and and Mobile Clip Festival 2014. There we did something a bit more tricky. The people who won the award would freeze and put light on themselves with their smartphones. The others would add drawings.

UT ∇ In 2014 we also had a Pixelstick to “print” the logo of the event.

LPP ∇ What a great way to share Light Painting! Tell me about this most recent record attempt. Where was the event held, was it just to break the record or was this also part of some other event?
UT ∇ The world record took place at the re:publica conference about digital society. For the conference I handed in a proposal about new computer aided light painting techniques and I also proposed to set the record during the closing ceremony. Both proposals were declined. I also had another proposal for using Minecraft in Schools which was accepted so I went to the conference. The Minecraft session was pretty cool. We built our presentation in Minecraft itself which was a topic on the conference. I talked with one of the organizers of the conference (Jonny Hauesler) about it when the topic of light painting came up. He found it really interesting and asked me if we could still realize it. That was on the afternoon on 6.5.2015. At 22:00 he confirmed that they talked to the team and agreed to have the event during the massive closing ceremony on the next day! Incredible how flexible and open they are but that meant I had only couple of hours to prepare. During the night I planned everything. Back home in Munich I have a lot of equipment, but I was in Berlin with only a little light painting “travel” bag. In the morning I bought myself an extreme wide angle lens (Panasonic 7-14mm =14-28mm, f4) for my Olympus OMD EM-10. As I wanted the best possible setup I also borrowed a Nikon N800 with another 14mm extreme wide angle. That was actually not that easy as the company wanted a lot of money as security and there was only a little time to get it.

LPP ∇ Woah were you panicking or were you pretty calm because you had done audience light paintings before?
UT ∇ It was a pretty intense situation, but I was not panicking. I had done similar photos before, only on a smaller scale. I was pretty well prepared (considering the short time frame). My colleague Maximilian Vilser (who controled the pixelstick) also helped a lot. Also Lilian Kura and her friends were really nice. She is a professional writer and checked over my tweets to announce the event and she and her friends really spread the word. To give you an insight into what we thought about, only an hour before the actual photo took place we stopped a plan to get the camera to a even more elevated position. We would have either used a high ladder or even a lifting ramp, but both possibilities seemed to be too unstable to get a steady shot. Also it would have lengthened the event and I was a bit worried to tumble from the ladder with 2500 people watching me.

LPP ∇ Yes that would not have been good, lol. What about the lights for the participants, did you supply the lights or did they just use what they had available?
UT ∇ As I was traveling and not expecting to do a world record attempt I only had 10 lights with me, several helping angels distributed these. But 98% of the lights present were smartphone-flashlights from the audience. With more time to prepare many more people would have taken their own colored lights with them or I could have provided more colored lights to add more texture. You can see my pixelstick on the back left side of the picture writing the tag of the event #rp15lights. We did not know how many people would be at the event, so we wanted to close a gap in the back. But directly before the event more and more people came in and it was really packed. So the Pixelstick is partially blocked by people.

LPP ∇ How many people were actually involved in this image?
UT ∇ From what I heard 2500 people fit into that stage as you can see the stage was full when the event took place.

LPP ∇ WOW! How long was the set up, how did you explain the light painting process to all 2500 people, sometimes it is difficult to get 1 or 2 people to understand the Light Painting process.
UT ∇ During the closing ceremony I briefly explained what everybody had to do (take lights and move them or try to draw something). There were two short pauses before the closing ceremony which I used to try out the camera set up and we were also able to dim the lights for a moment for one test photo. I also had someone help me and press the shutter on the second camera.

LPP ∇ How long was the actual exposure for the image? Did you only have one take or several?
UT ∇ We did two takes, both from two perspectives. The exposure for both times were just 10 seconds and that was it, no retakes possible. I then ran back to the tech guys, cropped the photo in lightroom and they put it into their presentation. 12:00 minutes after the the shot it was presented on stage:

LPP ∇ Obviously you were not able to have a Guinness Representative because of the very short notice so are you going to submit this to try and get the Official record?
UT ∇ I am waiting for the video and some more photos from the front to try to hand in with them.

LPP ∇ I am sure I speak for all of the light painting community when I say WE HOPE YOU GET IT! One last question, what is it that drives you to share Light Painting in this way?
UT ∇ It is a combination of many things: Getting to know light painting astonishes people, it often sets a creative spark in them and is a lot of fun. Spreading the word of Light Paiting is my little humble way to make the world a slightly better place. Just seeing how the people react, they love it. It is pretty cool to stand in front of a huge crowd all waving lights.
But probably most important is that it fits in my own way of doing art. I like to bring people into situations where they have a feeling they never experienced before or do things they never thought of beforehand. In a way you could say that I like to manipulate people through art to discover and grow. Some will criticise events like this and question its artistic value. Instead of few doing professional light painting in a very planned and high quality way, it is many fresh minds trying it out without previous preconception of it. It is something unique which I think you can’t judge with usual quality standards which you apply to other light paintings. For me it is art nevertheless – or you could say it is art especially because of that difference.

LPP ∇ Is there anything else you would like to add?
UT ∇ The event itself was filmed but the video is not yet online. Several people filmed from within the audience. You can find some videos and other coverage on my page 1000lights.de/rp15. The tag of the event (#rp15lights) went trending (most tweeted) in Germany straight away. You can find more of my light painting pictures on 1000lights.de and my Facebook page.

In addition to the “audience light paintings” I have some other light painting specialities: – Again I like to interact through light painting with people who don’t have experience with it yet. That especially works well, if the people can see how the photo is coming along, while they are shooting it. – I experiment with my pixel stick and other programmable lights. The QVED Conference and the Mobile Clip Festival 2014 are nice examples for that. I am also working on live light shows with a VJ. but we still a way to go there.

LPP ∇ Thank you very much please keep up the incredible work!
UT ∇ Thank you very much.

Here is a little teaser video from the event until we can bring you the full version.

Michael Ross

Light painting photographer Michael Ross, a.k.a. TXPilot, is smarter than you and thank sweet baby Jesus he found light painting photography. Coming from an IT background you would think he would be able to come up with some gadgets, but Mike has taken it to the next level with inventions like The Digital Light Wand. Not only is he a Mad Scientist innovating light painting tools for the rest of us he also uses his genius to create some super cool images. Mike is known for his willingness to share his inventions and is always ready to help out a fellow light painter. Read Mike’s full light painting photography interview below, check out some of his images below!

Light Painting Photography Interview with Michael Ross.

LPP ∇ What is your name?

MR ∇ Michael R. Ross

LPP ∇ Do you have an alias that you go by?

MR ∇ TxPilot on Flickr and a few other places on the internet.

LPP ∇ Are you a soloist or are you part of a Light Painting group? If a group who is in your group?

MR ∇ I am a soloist mainly, but I do get some help from my sons, Kevin and Cameron, sometimes also. Cameron (http://www.flickr.com/photos/txmini/) is also into photography and has created some of his own Light Painting Photos. I have also had the pleasure of shooting with several other Light Painting Photographers scattered around the U.S. and Canada.

LPP ∇ What education do you have?

MR ∇ Some college and technical and leadership schools in the U.S. Navy also. I was in the Navy as an Avionics Tech which has helped tremendously in my Light Painting work. I have had no formal training in photography.

LPP ∇ What is your occupation?

MR ∇ I had a very successful career in I.T. for over 30 years and recently left all of that behind to open a photography school called Little Photo School (http://www.littlephotoschool.com/) . I have spent the last several months working out a detailed business plan and I am currently in the process of pinpointing the right location to get it going! Very exciting stuff!

LPP ∇ How long have you been a photographer?

MR ∇ I have had a camera in my hands most of my life and dabbled in the intricacies of it all every now and then. Every once in a while I would get lucky with some good shots. I started getting more serious about it in the early 90’s but really started getting into the more professional side of things about 3 years ago. This photo of Hale-Bopp Comet (http://www.flickr.com/photos/txross/6613797781) was taken back in 1997 on film.

LPP ∇ How long have you been light painting?

MR ∇ My first attempts at light painting where with my nieces during a family get together over the Independence Day Holiday in 2009. Probably the same way a lot of us get into it, using sparklers to draw light trails during long exposures.

LPP ∇ How did you discover Light Painting Photography?

MR ∇ After playing with the sparklers for a bit, I ran across a Light Painting image on flickr created by TigTab http://www.flickr.com/photos/tigtab This image (http://www.flickr.com/photos/tigtab/3976058678/in/set-72157622106954112/), which was created using cold cathodes and light stencils literally just blew me away! At that point I started digging more into it and experimenting on my own with different light sources. I ran across images created by Cindi and Austin Poole (http://www.flickr.com/photos/24491005@N06/sets/72157609144669334/ ) as well as Jeremy Jackson (http://www.flickr.com/photos/tackyshack/) and Duane Schoon (http://www.flickr.com/photos/duaneschoon/) which just helped to drag me into it even more! I became addicted to it very quickly!

LPP ∇ What was your first Light Painting Image?

MR ∇ This is the first LP image that thought was good enough to show anyone else. http://www.flickr.com/photos/txross/3885538349/in/set-72157622234691540
Everything prior to that was just experimentation with different lights and sparklers.

LPP ∇ Film or Digital?

MR ∇ Both. Digital for Light Painting primarily, but I also shoot Film as well. The instant feedback that you get from Digital is, in my opinion, what has really made Light Painting, and photography in general for that matter, take off over the past several years. But, that technical challenge of getting an image right the first time with film is a great thing as well. It is hard to beat film in certain areas of night photography, particularly when it comes down to really long exposure times.

LPP ∇ Do you believe in aliens?

MR ∇ I have seen them in many places! My hallway (http://www.flickr.com/photos/txross/4317547233/in/set-72157622234691540) , my backyard along with an alien Dog! (http://www.flickr.com/photos/txross/6335969859/in/set-72157622234691540) , and in Roswell, New Mexico! 😉 Even the Walmart in Roswell had a large sign on the front of the store stating that “All species welcome”, so they must exist right? Seriously, after sitting in the middle of the desert, looking up at the Milky Way and capturing images like this (http://www.flickr.com/photos/txross/5960153070), and thinking about the Rare Earth Equation and The Drake Equation. I think anything is possible! Even the possibility that everyone is wrong in making assumptions only on what is “known”, or thought to be known. One thing is for certain, it is impossible to rule ANYTHING out!

LPP ∇ What is your standard Light Painting Photography setup?

MR ∇ I shoot with a Nikon D700 and the lens that I use the most with Light Painting Photography is a Nikon 50mm f/1.4. I really like the way that lens handles the star burst effects with its aperture blade configuration. But it is sweet lens no matter how you slice it! I do use other lenses if the situation calls for it though and I have even used a 70-200mm zoom for a few shots and a 16mm fisheye as well. Of course a remote shutter release is pretty much mandatory for longer Light Painting work and a good tripod as well.

LPP ∇ What is your favorite color?

MR ∇ Blue

LPP ∇ Who influences your Light Painting Photography work?

MR ∇ Just about everyone! It is hard to pinpoint a specific “style” with my light painting images. There are specific details that I add to my images that could identify my work but I have a tendency to jump around a lot with different subject matter and different techniques. I like experimenting with a variety of subjects, tools, and techniques and that is probably fairly obvious if you look at my work. But just about every Light Painter I have run across influences my work in one way or another.

LPP ∇ Who is your favorite Light Painting Artist?

MR ∇ That is a tough one. I have a great respect and admiration for many different Light Painting Artists! They each have their own style and spin that they put on their work and there are images created by many of them that I would consider great works of art. It is impossible for me to hold them up to each other to compare them because they are all so different. However, there are some that I follow more closely than others simply because they put a lot of planning, preparation, and thought into their work. Troy Paiva (http://www.flickr.com/photos/lostamerica/), TigTab (http://www.flickr.com/photos/tigtab/), Blacklodge (http://www.flickr.com/photos/thebadseed/), Dennis Calvert (http://www.flickr.com/photos/denniscalvert/), Danny (http://www.flickr.com/photos/catch-light-ca/), Julian Cash (http://www.flickr.com/photos/juliancash/), Denis Smith (http://www.flickr.com/photos/biskitboy/), Julian Marshall (http://www.flickr.com/photos/julian_marshall/), JanLeonardo Wöllert (http://www.flickr.com/photos/lapp/), are all great examples and that is just a partial list!

LPP ∇ What is your favorite food?

MR ∇ Asian food primarily. Vietnamese Phở (a beef noodle soup) is right up there at the top along with spicy Thai Red Curry! But I can also go for a nice rare steak or BBQ just about any time also!

LPP ∇ Do you create in any other mediums other than light painting? If so what are they?

MR ∇ Yes, I do pencil drawings, pen and ink drawings, and have also worked with acrylics on canvas and water colors as well. I have an interest in wood carving also and have created some pieces in that area. On top of that, I have been a musician since I was very young and have played guitar, keyboards, trumpet, French horn, and the Ukulele as well! I still play the guitar and Uke every chance I get.

LPP ∇ What is your favorite Light Painting Photography image that you have created?

MR ∇ I think that the one that I personally like the most is the photo I call “Stoned Again!”. http://www.flickr.com/photos/txross/4887489438/in/set-72157622234691540 This was a photo that was created for a small Light Painting contest with the theme being “Mythology”. So I chose to create a magical scene were Medusa was turning a warrior to stone with her powerful gaze. So much planning, preparation, and experimenting with different techniques went into that shot that it turned into a major production. Besides having my son and future daughter-in-law helping me with the shot, I had help from friends as well in helping me to get ready for it. There is even a long story behind the title itself. So the reasons I like it are more for personal reasons than just the image itself, but I am pleased with the overall outcome.

LPP ∇ What is your favorite Light Painting Photography image of another artist?

MR ∇ Some of these questions are difficult questions to answer! It is hard to pick one favorite, but I have a few printed photos created by TigTab (http://www.flickr.com/photos/tigtab/) , Dennis Calvert (http://www.flickr.com/photos/denniscalvert/) , Jeremy Jackson (http://www.flickr.com/photos/tackyshack/) , Denis Smith (http://www.flickr.com/photos/biskitboy/) , and some others as well and I would like to add some prints from Freezelight (http://www.flickr.com/photos/freezelight/) and others too! Well thought out and carefully planned Light Painting images always catch my attention and easily top my list. TigTab’s “Secret Garden” shot and Freezelight’s “Lady and horse” image are very good examples. (http://www.flickr.com/photos/tigtab/5390151702) (http://www.flickr.com/photos/freezelight/5087707172)

As a side note, I have started collecting Light Painting Photo books that have been created by Light Painting Artists. There are a lot of great LP artists out there and the number is increasing all the time which is simply fantastic! The more the merrier!

LPP ∇ What is the most difficult part of Light Painting Photography?

MR ∇ To me, the most difficult part of Light Painting Photography is getting the exact effect I am looking for with specific light tools and getting everything spaced and aligned the way I want it. Dealing with live subjects in a long exposure shot can also be a bit challenging.

LPP ∇ How do you get your Light Painting Photography work seen?

MR ∇ Primarily via the internet, my website, Flickr, 500px, Google Plus, YouTube, etc.

LPP ∇ Do you sell your Light Painting Photography work?

MR ∇ Yes, Fine art prints of my work are available via my website.

LPP ∇ Are you represented by a gallery?

MR ∇ Not at this time, but I am working on that.

LPP ∇ Where can we see more of your work?

MR ∇ Most of my work can be found on my personal website or on my flickr account.
http://www.mrossphoto.com
http://www.flickr.com/txross

LPP ∇ What is your favorite quote?

MR ∇ It is a quote a friend told me a while back that I think originated somewhere else and then I might have turned it around a bit. It goes “Shoot for Moon! Even if you miss and land among the stars, you have still made a great accomplishment!”

LPP ∇ Who is your favorite artist?

My favorite at the moment is a street artist in Melbourne, Australia that I have been watching that goes under the alias of Kaff-eine. (http://www.flickr.com/photos/_kaff-eine_/)

LPP ∇ What is you favorite activity other than light painting?

MR ∇ Flying! I have been a pilot since the late 80’s and there is nothing quite like the feeling of spreading wings and taking to the air. One of these days I will figure out the best way to combine Flying with Light Painting! 😉

LPP ∇ Tell me a good light painting story.

MR ∇ I have met up with several light painters that I have met online and have had the pleasure of doing collab sessions with about 17 or so different Light Painters to date! They are all great people and there is a great story to tell about each of the sessions! But probably the best (and craziest) meeting that I had was with Danny (http://www.flickr.com/photos/catch-light-ca/) of Catch-Light Photography (http://www.catch-light.ca/) in south central Ontario, Canada!

This trip started with me tagging along with a friend of mine to the big air show (AirVenture) in Oshkosh, Wisconsin at the end of July in 2011. My friend owns a super sweet airplane and it is a treat to fly with him every chance I get! But being able to fly from Texas to Wisconsin with him and then go to one of the biggest and best air shows in the world was a huge treat!

Well, it just so happens that this friend has a daughter that has chosen to live and go to school in a little town in Ontario, Canada, about an hour away from Toronto, and he said we would be stopping in and spending a day or two with her on the trip as well. So I sent an email to Danny to see if he would be available to meet up while I was there. I lucked out with it all and everything fell together with the timing so Danny and I made plans to meet up during this trip. Danny also had the perfect place for us to go!

So, after 3 days of wearing myself out, walking around and taking photos at the air show and getting my “aviation fix”, we flew to Port Huron, Michigan, rented a car, crossed the border into Canada, and started the drive to little town that my friend’s daughter lives in. I dropped him off about noon and took off to meet Danny in the little town where he lives in Stayner, Ontario which is just off the south end of Georgian Bay. It was about a 4 and half hour drive to get to where I was going. I met Danny at a coffee house and we were soon off on another 3 hour drive north to the small town of Burk’s Falls, Ontario.

Along the way, Danny and I stopped in a small town for dinner and had some great conversation about photography, Light Painting and a life in general. We continued on towards Burks’ Falls and the sun was setting just as we arrived at our destination. Danny was ultimately taking me to a place that was literally out in the middle of nowhere called The Screaming Heads! It was simply amazing! Danny is a great guy and we did a lot of talking and a lot of shooting and we literally stayed there all night until the sun started to lighten the sky on the horizon the next morning! I think we both had a fantastic time! Even though it was scary as hell out in the middle of that country, where bears, moose, and I am sure other things roam the night! And I can’t get past this story without mentioning the kazillions of monster mosquitoes that tried to carry Danny, me, AND our camera equipment away! When Danny told me there were bears in the area, I looked at him and said, so this is where that old funny saying comes in that I don’t have to outrun the bear, right!? I just HAVE to outrun YOU! 😉

I had such a great time shooting with Danny that I would go out of my way to do it again! And that WILL happen someday! It was awesome! (Did I say that already?) After we left, I drove the 7 and half hours back to pick up my friend and we headed back to the airport to make our way back to Texas. I was absolutely exhausted, but it all well worth it!

LPP ∇ Tell me a nightmare light painting story.

MR ∇ I haven’t had anything happen that I would call a full nightmare yet, but I am sure my turn is coming! I have been scared to point of finally shutting things down and getting the hell out of Dodge a few times though! One was while out in the middle of the Sonoran desert, East of Tucson, Arizona, just after midnight in an area where Cougars and Mexican Grey Wolves were seen regularly. That in itself was enough to keep my adrenalin pumping! It always seems like when you are out in an area like that, the sounds around you are amplified and you always get the feeling that you are being watched! All of this after getting a few unexpected “surprises” while doing a bit of exploring earlier in the night. Let me tell you, when you walk up to a Saguaro Cactus after dark and notice a hole in the side of it, and then you shine a light inside to see how deep the hole is and suddenly see a large reptile peering back at you from inside, it can REALLY get your heart racing! Nothing like having a large lizard staring you down just inches away when you really were not expecting anything to be in there! Not really a nightmare, but I don’t want THAT type of nightmare!

LPP ∇ Have you ever been arrested or ticketed for light painting?

MR ∇ Not yet! But I was beginning to think that was going to happen when a Travis County Sherriff and some Austin Police officers came up on us during the Texas-By-Light tour. This was in May 2010 when Marko93 was here from France meeting up with Light Painters in different areas of Texas for the filming of the Texas By Light project. Other artists included Marko (http://www.flickr.com/photos/marko-93/), David Wilhelm (http://www.flickr.com/photos/artandsteel/), Matt Crawford (http://www.flickr.com/photos/earsaregood/), Jake Ramirez (http://www.flickr.com/photos/sumerianlights/), and several others as well. We were all at an old railroad bridge that Jake had created some images at prior to the meeting. The bridge is located in a city park which closed at 10:00 PM and it was well after midnight by that time.

The bridge is known by the law enforcement there to be a popular drug hangout so when they saw a crowd of cars and people there, they were definitely suspicious. I talked to them for a little while and explained what we were doing while showing them some light painting images that I keep stored on my phone for such occasions. They were skeptical and some of the props that were laying around on the bridge such as skulls and other things didn’t help the situation, but they finally let us continue but told us to get things wrapped up and out of there soon.

LPP ∇ What do you say to people when they see you light painting and they ask “what the hell are you doing”?

MR ∇ I am probably one of the few Light Painters that has actually had the opposite happen to me. While doing some Light Painting in an art district in Downtown Dallas, and actually in the middle of a shot, a guy walked past us on the sidewalk and said, “Doing some Light Painting!?” I was shocked speechless!! That is the ONLY time that has ever happened to me.

MR ∇ Usually when someone asks what I am doing, I will take the time to stop and explain it to them and show them the examples I might have on the camera or on my phone.

LPP ∇ Where do you find inspiration for your Light Painting Photography?

MR ∇ In anything and everything around me all of the time! I think that this is probably true with photographers in general but even more so with Light Painting Photographers, it is hard not look at things and think about how it would look light painted or how it might be used in light painting.

LPP ∇ Who would you like to punch?

MR ∇ I better keep that one to myself. Not many get the “honor” of being on that list and the list is not long at all, but those that do make the list have earned it! And they know who they are!

LPP ∇ Who would you like to kiss?

MR ∇ Ummm… I better keep that one to myself too! ☺ It is a self incrimination thing! Ha!

LPP ∇ Why do you Light Paint?

MR ∇ It is the challenge and creation of art of that draws me to it! It is that moment when the image appears on the LCD screen on the back of the camera to reveal the final work. It is the disappointment of something not being just right and then doing it all over again! It is working towards that perfection. It is the work towards achieving the goals of creating an image that was only a part of imagination prior to that moment. It is the individuality of it. It is the awe of watching someone else create a light painting image for the first time and watching the magic in the eyes of those that see it happen. It is everything about it that is the reason I Paint with Light!

LPP ∇ What is your favorite time to shoot?

MR ∇ Dark:30! Actually, Anytime I can get time to shoot is my favorite time! But the later the better, particularly if I am in a public area that usually has a lot of people around it during the day.

LPP ∇ What is your favorite subject to shoot?

MR ∇ I like shots that involve people, but landscapes and cityscapes are also something I enjoy.

LPP ∇ Where is your favorite place to shoot?

MR ∇ The desert! Or anywhere where the Light Pollution is minimal. The desert is an awesome place to be in the middle of the night. The stars are, well, literally, out of this world! It is definitely spooky but really cool!

LPP ∇ If you could travel anywhere to Light Paint where would you go?

MR ∇ There would be so many places that I would go if I could go anywhere. Canada, Alaska, Ireland, Australia, Mexico, Easter Island, Egypt…, the list is long! I would have a really hard time choosing only one place though but Easter Island would be really awesome! There are many places right here in the U.S. that I would love to visit and work some magic with as well. I will get there! One place at a time!

LPP ∇ Have you ever invented a Light Painting Photography tool? If so what was it and how did it work?

MR ∇ Yes, several of them! The list is really too long to list them all here. I have been called the Guru of Light Tools on more than one occasion and called a Mad Scientist even more often! So that should tell you something! Even the people at Radio Shack have looked at me really weird when I have walked up to counter to check out in the past with hands full of LEDs and other electronic components.

The most significant tool that I have created, and definitely the one I have the most work in to, is the Digital Light Wand which you have covered on your site (https://lightpaintingphotography.com/?s=Digital+Light+Wand) when I released the tutorial on how to make one (http://mrossphoto.com/wordpress32/light-painting/) so I won’t get into too much detail with it. It is a programmable RGB LED light strip that uses an Arduino Microcontroller to control the LEDs in turning on and off and with specific colors in a timed sequence. I have a complete video and PDF tutorial on how to build one on my website.

Another invention is one that I call the Light Painting Muli-Tool (http://mrossphoto.com/wordpress32/portraits/light-painting-multi-tool/). Others have called it “The Swiss Army Knife” for Light Painters. I have photos of it on my website as well. It is a tool that can be used for creating perfect orbs, circles, UFO’s and Domes among other things.

I have also created many different types of light tools to do specific things such as calligraphy writing, creating small spheres, etc. I even created a small device to create a little 3 inch high orb and another one to create an orb that is 17 feet across and almost 6 feet off the ground! And yet another tool with levered arms to create an orb Snowman! Inventing new tools is part of the fun of Light Painting for me and I have a long list of ideas that will take many years to work my way through! For those tools that I have created already, I have photos of most of them on my website or my flickr site.

LPP ∇ Do you ever get sick of explaining your work to people?

MR ∇ No, not at all. I love spreading the word about this truly unique art form and it is personal mission of mine to do just that! I want the rest of the world to know about what we do!

LPP ∇ How many times have you heard the word photoshop when someone was describing or asking about your work?

MR ∇ Too many! And it does get annoying sometimes! But there are plenty of people out there that are just that way. They think that they know it all and they have it all figured out. I actually feel sorry for them in a way. If they are so closed minded that they don’t allow themselves to see other possibilities, they will miss a LOT of the beauty and wonder that is all around them!

LPP ∇ What makes you happy?

MR ∇ Learning something new and teaching others something that is new to them.

LPP ∇ What makes you mad?

MR ∇ People with closed minds that seem to have a problem seeing past their own ego.

LPP ∇ What part of Light Painting Photography do you enjoy the most?

MR ∇ The creative release. The discovery of new techniques and invention of new tools to make new things happen in the world of Light Painting.

LPP ∇ What part of Light Painting Photography do you hate the most?

MR ∇ Light Pollution! Some day the world will figure out that we don’t need to have all of the friggin’ lights on all the time! Of course, living so close to a metroplex that has 6.3 Million people in it (Dallas/Fort Worth), light pollution is something that I have to deal with all the time. But I am at least thankful that it is not as bad here as it is along the north eastern coast of the U.S. or other parts of the world. At least here, I can still drive for a few hours and get to a point where I can see the Milky Way with no problems.

LPP ∇ Do you have a website? If yes what is the address?

MR ∇ http://www.mrossphoto.com
http://www.facebook.com/mrossphoto
https://plus.google.com/113179096930771919621

http://500px.com/TxPilot
http://www.youtube.com/user/michaelrross1
http://www.LittlePhotoSchool.com
http://www.facebook.com/LittlePhotoSchool

LPP ∇ What is Light Painting Photography?

MR ∇ Light Painting Photography to me is Art! It is the photography equivalent to an artist using oils and a brush on canvas. It can be as simple as using light to highlight objects in a night photograph or can be as complex as creating an entire scene using nothing but different light tools and everything in between. Just like with oils and canvas, the art that is created is unique to the artist. How the artist uses these tools for creative expression is the ultimate beauty in what we do!

LPP ∇ Give me some advice for anyone that might like to try Light Painting Photography.

MR ∇ Buy my eBook! 😉 Ha! Actually, the best advice I can give goes along with the quote I mentioned earlier! Shoot for the Moon! Practice! Experiment! Aim for the top and create something that you will be proud of! Anyone can do anything if they set their mind to it. Just set the goal and, in the words of one of my favorite Star Ship Commanders, “Make it so!”

LPP ∇ Are you scared of the dark?

MR ∇ No, I am not scared of the dark. However, I AM scared of what else comes out IN the dark! 😉 I have this HUGE fear of being eaten alive by a Mountain Lion! So… In order to make sure that doesn’t happen, or being attacked by anything else for that matter, I usually do not go out without being armed! 🙂

Ball of Light

Ball of Light – The Denis Smith Documentary

This 15-minute documentary tells the inspiring story of Denis Smith. Just two years before its creation, Denis was working in high-pressure sales, struggling with depression, debt, and alcoholism. Then he discovered Light Painting—and his life transformed. Now known for creating beautiful, glowing orbs of light, Denis has become a voice of hope and inspiration for creative people everywhere.

Visit:
balloflight.com.au |
samcollinsmedia.com

Interview with Denis Smith

LPP ∇ First of all WOW, what an awesome documentary. It’s such an honest and inspiring story. How did this project come about?
DS ∇ Sam Collins visited my booth at an art market and we hit it off. He originally wanted to do a 3-minute short film, but quickly realized my story went much deeper.

LPP ∇ The film is deeply personal. Were you hesitant to open up?
DS ∇ Not really. Sam made me feel completely at ease. It was a reminder of how far I’d come.

LPP ∇ How long did it take to complete?
DS ∇ About 4 months. We worked together at a natural pace and really found our rhythm.

LPP ∇ Any memorable moments while filming?
DS ∇ Absolutely. Sam fell asleep on train tracks during a late shoot, and the Ball of Light saved him—no joke! I captured it all on camera.

LPP ∇ What are your plans for the film?
DS ∇ We’ve had great online response. It’s being used as a motivational and promotional piece, and it’s resonating with people wanting to make real change.

LPP ∇ What was your turning point in life?
DS ∇ Realizing I was working just to stay afloat. With my wife’s support, I made the leap to choose happiness and health.

LPP ∇ Did you quit immediately or plan your exit?
DS ∇ I had to be strategic due to debt. Luckily, the company made me redundant, which helped.

LPP ∇ How did Light Painting enter your life?
DS ∇ I got bored with standard photography. Finding Light Junkies on Flickr and seeing artists like Jeremy Jackson and Michael Ross blew me away and inspired me to push myself.

LPP ∇ What gear do you use?
DS ∇ Canon 5Dmk2 with 24-105L and 50mm. But I stress—gear isn’t everything. I started on a 450D and created some of my best work with it.

LPP ∇ What tools do you use for the Ball of Light?
DS ∇ Simple LED setups—about 30 sets with varied color and brightness. A 12V supply keeps them powered.

LPP ∇ Are you doing Light Painting full time?
DS ∇ I sell prints and do markets, but still have a day job. Light Painting is growing though, and I dream of following the full moon across the globe!

LPP ∇ What about your printing process?
DS ∇ I use Atkins. High-quality Epson prints mounted on gator foam or framed. I might buy an Epson A2 for smaller runs.

LPP ∇ Have you found your life’s path?
DS ∇ Yes. Light Painting is healthy and fulfilling. I’m open to where it leads but not searching anymore. I value health, sanity, and family above all else now.

LPP ∇ What do you hope people take from this film?
DS ∇ That it’s okay to make big changes when you’re struggling. Change is hard, but worth it. And anyone can pick up a camera and start creating.

LPP ∇ Should we all quit our day jobs?
DS ∇ Only if it’s making you sick and you have support. Get out of debt. Own your happiness. The rest will come.

LPP ∇ Congrats on everything. The world is glad you found the light.
DS ∇ Thanks, Jason. I’m glad the light found me too.

More from Denis and Sam:
balloflight.com.au |
samcollinsmedia.com

Ball Of Light Documentary and Denis Smith Interview

March 28, 2011 by Jason D. Page